Gloin, gloin, gloin, gloin, gloin, gloin. Do you hear the sound of a murderous monster swallowing all its teeth? Formed in 2018 by John Watson (guitar, vocals), Vic Byers (bass, vocals), Simon Kou (drums), and Richard Garnham (synthesizers), Gloin could be translated as the sound of a truth that is hard to swallow, when we realize that our thoughts are the only source of meaning we have left. Inspired by the visceral experimentations of Sonic Youth or Lightning Bolt, We Found This is the first opus of a band freshly signed by Mothland and emerging from the effervescent underground scene of our Toronto neighbors. Known for their cathartic and sharp performances, Gloin has opened for The Brian Jonestown Massacre, A Place To Bury Strangers, Moon Duo, Snapped Ankles, SXSW and New Colossus. With its horns raised to the sky of a blood moon, this debut album drips with cold sweat, gloomy distortion, putrid angst, punk urgency and youthful bewilderment from a challenge to the routine of a toxic job. The edgy and angry track “Work Patrol” manages to make us grind our teeth, like a vampiric boss busy digging out the weeds in his office. To forge their individuality and self-taught “mental knife,” the band celebrates road trips and their love of occult, dissident and subversive art. On the heels of the release of We Found This, Gloin will be hitting the road this November, including November 18 at the M pour Montréal festival. Come see what this monster found when he lost its teeth.
Tout le contenu 360
Interview classique
CMIM: Shira Gilbert and Zarin Mehta talk about Piano 2024 edition
Par Alexandre Villemaire
Interview classique
Before the CMIM kicks off, Chantal Poulin talks to us about the Piano 2024 edition.
Par Alexandre Villemaire
Critique d'album Pop/expérimental / contemporain/Experimental / Contemporary/Folk/Americana 2024
N NAO – Miroir
Par Louise Jaunet
Interview Rock
Alex Henry Foster Talks About Overcoming Death and his new album, Kimiyo
Par Stephan Boissonneault
Interview Classical/classique
Information: Montreal Oct. 1970 by Tim Brady: a first opera about the October ’70 Crisis
Par Frédéric Cardin
Critique d'album Electronic/Hip Hop/hyperpop 2024
Single of the Day: Kaya Hoax ft. Magi Merlin “Hot Girls with ADD”
Par Stephan Boissonneault
Critique d'album Americana/Pop
Taylor Swift – The Tortured Poet Department: The Anthology
Par Alain Brunet
Critique d'album classique/musique traditionnelle/Classical/trad québécois 2024
Karina Gauvin – Marie Hubert : Fille du Roy
Par Frédéric Cardin
Interview Folk/Americana/Rock/hyperpop
P’tit Belliveau Talks About His New Album, Frogs, and Income Tax
Par Stephan Boissonneault
Interview Rock/Electronic/Experimental / Contemporary/expérimental / contemporain/Pop
At Annie-Claude Deschênes’ table: between utensils & sound experimentation
Par Louise Jaunet
Critique de concert Folk/Americana
Noah Kahan: An Emotive Performance with Goofy Banter
Par Serena Yang
Critique de concert
Université de Montréal | Jean-François Rivest’s Grandiose Farewell
Par Elena Mandolini
Interview classique/Jazz/Classical