There’s a surprising richness of content packed into the lean, tight sound of Sons of Kemet, a key act in London, U.K.’s consequential jazz scene of the last decade. Concurrent dialogues converge here, one between Shabaka Hutching’s frantic yet focused reed riffs and the hefty tuba grooves of the mighty Theon Cross, the other the interplay between dual drummers Tom Skinner and Seb Rochford. The topics on the table are post-colonial in persuasion, allusions to African diasporic precedents and prospects, particularly Caribbean. It’s fierce and adamant music, expressed in the imperative, but with an undeniable optimism and confidence.
Tout le contenu 360
Interview Rock/Americana/Psychedelia
Corridor: From Analog Legacy to Electronic Exploration
Par Louise Jaunet
Interview
FIMAV 2024 | Scott Thomson, new artistic director, explains and reveals his favorites
Par Alain Brunet
Interview Pop/Eastern European
Nastasia Y, her ukrainian culture infused with Canada
Par Alain Brunet
Critique de concert Pop/Electronic/expérimental / contemporain/Middle Eastern
BORN TO LEAVE (REVISITED) at Centre Phi: Sophoclean electronic tragedy with a Lebanese flavour
Par Salima Bouaraour
Interview classique
CMIM: Shira Gilbert and Zarin Mehta talk about Piano 2024 edition
Par Alexandre Villemaire
Interview classique
Before the CMIM kicks off, Chantal Poulin talks to us about the Piano 2024 edition.
Par Alexandre Villemaire
Critique d'album Pop/expérimental / contemporain/Experimental / Contemporary/Folk/Americana 2024
N NAO – Miroir
Par Louise Jaunet
Interview Rock
Alex Henry Foster Talks About Overcoming Death and his new album, Kimiyo
Par Stephan Boissonneault
Interview Classical/classique
Information: Montreal Oct. 1970 by Tim Brady: a first opera about the October ’70 Crisis
Par Frédéric Cardin
Critique d'album Electronic/Hip Hop/hyperpop 2024
Single of the Day: Kaya Hoax ft. Magi Merlin “Hot Girls with ADD”
Par Stephan Boissonneault
Critique d'album Americana/Pop
Taylor Swift – The Tortured Poet Department: The Anthology
Par Alain Brunet
Critique d'album classique/musique traditionnelle/Classical/trad québécois 2024