Country : Mexico / United States Label : American Line / Candlelight Genres and styles : Black Metal / First Nations / Folk Year : 2020

Tierra sagrada del Jaguar

· by Luc Marchessault

One day, the god Tezcatlipoca descended from a spider’s web hanging in the sky, and landed in Tula. He then hid his face, mingled with the crowd and managed to get close to Quetzalcoatl, his brother, king of the Toltecs. Tezcatlipoca then corrupted Quetzalcoatl by getting him drunk and showing him his ravaged face in his shimmering mirror… Such is the tale related by black metal band Yaotl Mictlan on “Tezcatlipoca – Espejo relumbrante”, one of the eight tracks on their new album Tierra sagrada del Jaguar. Yaotl Mictlan – which means “warriors of the kingdom of the dead” in Nahuatl – came to be in a basement in Salt Lake City in 1998, the creation of two brothers of Mexican origin, Yaotl and Tlatecatl, who’d emigrated to the United States in their early teens. Tierra sagrada del Jaguar is their third opus, after Guerreros de la tierra de los muertos (2006) and Dentro del manto gris de Chaac (2010).

Yaotl Mictlan combines what the brothers Yaotl and Tlatecatl are most fond of: pre-Hispanic culture, especially its rituals, beliefs and mysticism, Aztec and Mayan music, as well as black metal. “If Norwegian bands combine Scandinavian mythology and paganism with black metal, why wouldn’t we do the same?”, our two brothers once said to each other. Very few musicians ventured into this niche at the time; a few followed, like their Mexican compatriots Ahpuch Oztoc.

Yaotl beats the skins, Tlatecatl sings, Nahuali and Xolotl accompany them on bass guitar. These artisans ingeniously integrate sounds from a panoply of Pre-Columbian wind and percussion instruments into their fierce foundation. At the beginning of “Entre lluvias fuertes”, a horn with an ancient and lugubrious sound, arpeggiated guitar chords, the crackling of a rattle, bloodcurdling screams – emanating from a man, a jaguar, or some creature half of each? – and flute notes (on a human bone, no doubt), before the black-metal artillery thunders. Another example is “Buho lanzadardos – Entrada Teotihuacana”, with its Mesoamerican intro, followed by a furious homage to the chief “Spear-throwing Owl” (the Buho lanzadardos of the title), who is said to have ruled the town of Teotihuacan for some 60 years.

With Tierra sagrada del Jaguar, Yaotl Mictlan lead a wonderful excursion into metallic Mesoamerica.

Latest 360 Content

SUONI | Kalmunity: STARS SHINE DARKLY in a night of powerful words, words of love and raging roars, healing grooves and dissent manners

SUONI | Kalmunity: STARS SHINE DARKLY in a night of powerful words, words of love and raging roars, healing grooves and dissent manners

Suoni 2025 | Farida Amadou ++: an apotheosis of adrenaline discharge

Suoni 2025 | Farida Amadou ++: an apotheosis of adrenaline discharge

Serge Fiori’s Imprint (1952-2025)

Serge Fiori’s Imprint (1952-2025)

Suoni 2025 | Bozzini + Sarah Hennies: contrasts in post-minimalism

Suoni 2025 | Bozzini + Sarah Hennies: contrasts in post-minimalism

Queenie | An Artist to Look Out For

Queenie | An Artist to Look Out For

Jazz at the Festival International de Jazz de Montréal explained by Modibo Keita

Jazz at the Festival International de Jazz de Montréal explained by Modibo Keita

FIJM 2025 | Programming Explained by Modibo Keita (part 2)

FIJM 2025 | Programming Explained by Modibo Keita (part 2)

Montreal Chamber Music Festival | But it was a nice concert…

Montreal Chamber Music Festival | But it was a nice concert…

Montréal Baroque 2025 | 4 seasons: welcome to the 21st century and the climate crisis, Mr. Vivaldi

Montréal Baroque 2025 | 4 seasons: welcome to the 21st century and the climate crisis, Mr. Vivaldi

Montréal Baroque 2025 | Zarzuela, my love

Montréal Baroque 2025 | Zarzuela, my love

Suoni | Contemporary Improvisation, Latin American Discovery

Suoni | Contemporary Improvisation, Latin American Discovery

Francos | The Candor and Kindness of Aliosha Schneider

Francos | The Candor and Kindness of Aliosha Schneider

Francos | Back in Time With Saïan Supa Celebration

Francos | Back in Time With Saïan Supa Celebration

Festival d’art vocal de Montréal | What’s On July 2-27 at Salle Claude-Champagne?

Festival d’art vocal de Montréal | What’s On July 2-27 at Salle Claude-Champagne?

Francos | Cardinal at The Foufs

Francos | Cardinal at The Foufs

Piknik Elektronic | Nadim Maghzal, Laylit Co-Founder : MTL Middle East Arabic Electronic Refinement, Pleasure, Fun!

Piknik Elektronic | Nadim Maghzal, Laylit Co-Founder : MTL Middle East Arabic Electronic Refinement, Pleasure, Fun!

Suoni | Sanam, Beirut’s Eloquence on The Brink of Danger

Suoni | Sanam, Beirut’s Eloquence on The Brink of Danger

Francos | Honoring Slam With Grand Corps Malade

Francos | Honoring Slam With Grand Corps Malade

Orford Musique | A Common Thread: Beethoven

Orford Musique | A Common Thread: Beethoven

Suoni | Watch that ends the night records Quinton Barnes + Jason Doell & Naomi McCarroll-Butler + Liam Cole + Alex “Bad Baby” Lukashevsky

Suoni | Watch that ends the night records Quinton Barnes + Jason Doell & Naomi McCarroll-Butler + Liam Cole + Alex “Bad Baby” Lukashevsky

Francos | A Montreal 1st for Emma Peters

Francos | A Montreal 1st for Emma Peters

Suoni | My Thursday at the Suoni: Alex Lukashevsky, Cabaret Noir…

Suoni | My Thursday at the Suoni: Alex Lukashevsky, Cabaret Noir…

My musical garage: interview with Ziya Tabassian for the 11th edition of Garage Concerts

My musical garage: interview with Ziya Tabassian for the 11th edition of Garage Concerts

Suoni | Chik White and Ky Brooks raise their voices (but not Jessica Ackerley)

Suoni | Chik White and Ky Brooks raise their voices (but not Jessica Ackerley)

Subscribe to our newsletter