Present on all fronts, Germany’s Cinthie impresses. In addition to being a DJ and producer, she runs her own label, 803 Crystal Grooves (the 803 Crystal Grooves Collective Cuts subdivision) and the We_R_House project. She’s the moderator of the Facebook group The Worst Techno Meme Ever (which, as a joke, inspired the closing track of the album, “803 The Meme Queen”). As if that wasn’t enough, she opened a vinyl shop in Berlin, where she lives. The reputation of this 40-year-old, who’s been active since the mid-1990s, is well established. Those who heard her during her most recent visit to Montreal at the invitation of collective The Ants will tell you that she’s mastered the art of the DJ set perfectly. And the art of production. The quality of her discography will confirm it. The synthetic waves of the opening track here, “Skylines”, sound like a caress on the cheek, a sunrise atmosphere. The contrast with the dynamism of “Houze Muzik” indicates that night has fallen. The tracks, each more than five minutes long, give the listener time to soak up and then be absorbed by the musical material – and vice versa. This is also one of the side effects of repetitive music. You lose track of time. A fan of vintage synthesizers and drum machines (Roland TR-808 and 909), of the TB303 (she used a clone, the TT303, for the acid touch on “Horizon”), Cinthie owns a studio that would make analog fiends shiver with envy. This equipment allows her to compose tracks with the greatest respect for the traditions of electronic dance music, as evidenced by “Concentrate” and “2kGarage”, a tribute, as its title indicates, to U.K. garage, or “Bassline”, a real house showcase for Gilli.jpg’s voice. Cinthie doesn’t beat around the bush, in other words, no frills here. Particularly refined sounds, cleverly dosed and incorporated with accuracy. With headphones on, it’s enough to close one’s eyes to imagine oneself in the middle of the dancefloor, or lost in the lights of the city.
Latest 360 Content
Concert review Classical/classique/Musiques du Monde
Festival Accès Asie – Flutes of the World, Unite!
By Frédéric Cardin
Album review musique de film 2026
Ludwig Göransson – The Mandalorian and Grogu – Original Motion Picture Soundtrack
By Frédéric Cardin
Interview A Cappella/Classical/classique
Classica 2026 | Let’s Start With a Choir, some Sea Songs and Sacred Anthems !
By Alain Brunet
Interview expérimental / contemporain/Pop/Multidisciplinaire
Elle Barbara | “A One Man Show”, Pop, Glamour and Avant-Garde Trans… Disciplinary
By Alain Brunet
Concert review Hip Hop
Palomosa 2026: Xaviersobased Makes No Sense and That’s the Point
By Loic Minty
Interview Jazz/expérimental / contemporain/Rock
Palais Montcalm | Bill Bruford has (also) always been a jazz drummer
By Alain Brunet
Concert review Electronic/Pop
Palomosa 2026: Just Warming Up With Cirque Cosmic, Chippy Nonstop, and X-Coast
By Z Neto Vinheiras
Concert review Jazz/expérimental / contemporain/Experimental / Contemporary
FIMAV 2026 | أحمد [Ahmed] Raises the Debate
By Michel Rondeau
Concert review Jazz/expérimental / contemporain/Experimental / Contemporary
FIMAV 2026 | Yves Charuest Meets With Prominent British Colleagues
By Michel Rondeau
Concert review Jazz/Experimental / Contemporary/expérimental / contemporain
FIMAV 2026 | Queen Mab, Renewal of Vows
By Michel Rondeau
Concert review expérimental / contemporain/Experimental / Contemporary
FIMAV 2026 | John Oswald and Plunderphonics… An Improv Game to Be Refined
By Michel Rondeau
Concert review Jazz/expérimental / contemporain/Experimental / Contemporary
FIMAV 2026 | Hammer, Roll and Leaf, Ideal Balance, Total and Complete Satisfaction
By Alain Brunet
Concert review Classical/classique/Jazz


















![FIMAV 2026 | أحمد [Ahmed] Raises the Debate](https://panm360.com/wp-content/uploads/2026/05/Ahmed-live-500x500.jpg)




