Present on all fronts, Germany’s Cinthie impresses. In addition to being a DJ and producer, she runs her own label, 803 Crystal Grooves (the 803 Crystal Grooves Collective Cuts subdivision) and the We_R_House project. She’s the moderator of the Facebook group The Worst Techno Meme Ever (which, as a joke, inspired the closing track of the album, “803 The Meme Queen”). As if that wasn’t enough, she opened a vinyl shop in Berlin, where she lives. The reputation of this 40-year-old, who’s been active since the mid-1990s, is well established. Those who heard her during her most recent visit to Montreal at the invitation of collective The Ants will tell you that she’s mastered the art of the DJ set perfectly. And the art of production. The quality of her discography will confirm it. The synthetic waves of the opening track here, “Skylines”, sound like a caress on the cheek, a sunrise atmosphere. The contrast with the dynamism of “Houze Muzik” indicates that night has fallen. The tracks, each more than five minutes long, give the listener time to soak up and then be absorbed by the musical material – and vice versa. This is also one of the side effects of repetitive music. You lose track of time. A fan of vintage synthesizers and drum machines (Roland TR-808 and 909), of the TB303 (she used a clone, the TT303, for the acid touch on “Horizon”), Cinthie owns a studio that would make analog fiends shiver with envy. This equipment allows her to compose tracks with the greatest respect for the traditions of electronic dance music, as evidenced by “Concentrate” and “2kGarage”, a tribute, as its title indicates, to U.K. garage, or “Bassline”, a real house showcase for Gilli.jpg’s voice. Cinthie doesn’t beat around the bush, in other words, no frills here. Particularly refined sounds, cleverly dosed and incorporated with accuracy. With headphones on, it’s enough to close one’s eyes to imagine oneself in the middle of the dancefloor, or lost in the lights of the city.
Latest 360 Content
Concert review expérimental / contemporain/Soul/R&B/Hip Hop
SUONI | Kalmunity: STARS SHINE DARKLY in a night of powerful words, words of love and raging roars, healing grooves and dissent manners
By Z Neto Vinheiras
Concert review expérimental / contemporain/Classical/classique/Jazz
Suoni 2025 | Farida Amadou ++: an apotheosis of adrenaline discharge
By Frédéric Cardin
Concert review expérimental / contemporain/Classical/classique
Suoni 2025 | Bozzini + Sarah Hennies: contrasts in post-minimalism
By Frédéric Cardin
Interview Jazz
Jazz at the Festival International de Jazz de Montréal explained by Modibo Keita
By Alain Brunet
Concert review classique
Montreal Chamber Music Festival | But it was a nice concert…
By Frédéric Cardin
Concert review Classical/classique
Montréal Baroque 2025 | 4 seasons: welcome to the 21st century and the climate crisis, Mr. Vivaldi
By Frédéric Cardin
Concert review expérimental / contemporain
Suoni | Contemporary Improvisation, Latin American Discovery
By Alain Brunet
Concert review Chanson francophone/Pop
Francos | The Candor and Kindness of Aliosha Schneider
By Marilyn Bouchard
Concert review Hip Hop/rap/Hip Hop
Francos | Back in Time With Saïan Supa Celebration
By Sandra Gasana
Interview Classical/classique
Festival d’art vocal de Montréal | What’s On July 2-27 at Salle Claude-Champagne?
By Alain Brunet
Interview Electronic/Moyen-Orient / Levant / Maghreb
Piknik Elektronic | Nadim Maghzal, Laylit Co-Founder : MTL Middle East Arabic Electronic Refinement, Pleasure, Fun!
By Loic Minty
Concert review Electronic/classique/Arabic/expérimental / contemporain/Rock
Suoni | Sanam, Beirut’s Eloquence on The Brink of Danger
By Alain Brunet
Concert review Jazz/Electronic/expérimental / contemporain/Soul/R&B
Suoni | Watch that ends the night records Quinton Barnes + Jason Doell & Naomi McCarroll-Butler + Liam Cole + Alex “Bad Baby” Lukashevsky
By Z Neto Vinheiras
Concert review Electronic/expérimental / contemporain/Musical Theatre
Suoni | My Thursday at the Suoni: Alex Lukashevsky, Cabaret Noir…
By Félicité Couëlle-Brunet
Interview classique/Classical/Eastern European/latino/Traditional/Musique traditionnelle mongole (khöömii)
My musical garage: interview with Ziya Tabassian for the 11th edition of Garage Concerts
By Frédéric Cardin
Concert review expérimental / contemporain