Hip Hop

Byg Ben Sukuya, MC Yallah & Jora MC: “Money Makes Money”

by Rupert Bottenberg

Countering the lowest of budgets with the highest levels of enthusiasm and resourcefulness, maverick Ugandan filmmaker Nabwana IGG and his compatriots in the Kampala slum Wakaliga made a massive splash in global cinema with the non-stop over-the-top 2015 action movie Who Killed Captain Alex? (production costs: $85 USD). Subsequent Ramon Film productions have sustained Wakaliwood as a cultural force to consider, and now they’ve made their first music video. In the same can-do community spirit as their film shoots, “Money Makes Money” is a fundraising appeal, looking to crowdsource a small but mighty economic stimulus for the village of Bulambuli. Produced by Baru, with musical direction by Bana Mutibwa, “Money Makes Money” drives the point home – well, more or less. Check it out, as much as anything, for the wicked verse by MC Yallah, who recently dropped the sharp EP Mama Waliwamanyii with Irish producer Eomac on the intensely eclectic label Phantom Limb. 

Latest 360 Content

Orchestre Tout Puissant Marcel Duchamp – Ventre Unique

Orchestre Tout Puissant Marcel Duchamp – Ventre Unique

Fantastic Negrito – Son of A Broken Man

Fantastic Negrito – Son of A Broken Man

Cumbia, Chaos, and Resistance: Empanadas Illegales Bring the Heat to Montreal Jazz Fest

Cumbia, Chaos, and Resistance: Empanadas Illegales Bring the Heat to Montreal Jazz Fest

Turnstile – Never Enough

Turnstile – Never Enough

FIJM | Dianne Reeves and Romero Lubambo: An Intimate Duo of Virtuosos

FIJM | Dianne Reeves and Romero Lubambo: An Intimate Duo of Virtuosos

FIJM | Brandon Woody’s Upendo: Baltimore Represents !

FIJM | Brandon Woody’s Upendo: Baltimore Represents !

FIJM | Stella Cole: From Tik Tok to The Biggest Jazz Stages

FIJM | Stella Cole: From Tik Tok to The Biggest Jazz Stages

ALICE on Her X

ALICE on Her X

FIJM  | Samara Joy: Pushing Classic Vocal Jazz Repertoire to its Limits

FIJM | Samara Joy: Pushing Classic Vocal Jazz Repertoire to its Limits

FIJM | Nas symphonic and Nas not symphonic

FIJM | Nas symphonic and Nas not symphonic

Suoni | The Jellicle KIKI Ball #2 – Feline Grace is Served

Suoni | The Jellicle KIKI Ball #2 – Feline Grace is Served

Suoni | The Dark, Wicked, Warm and Absurd on the Same Dish

Suoni | The Dark, Wicked, Warm and Absurd on the Same Dish

FIJM | Azimuth: Brazilian Jazz Fusion of the Highest Order

FIJM | Azimuth: Brazilian Jazz Fusion of the Highest Order

FIJM | Anomalie and Lewis: Two hour Jam by Two Heavy Hitters

FIJM | Anomalie and Lewis: Two hour Jam by Two Heavy Hitters

FIJM | Thanya Iyer and Arooj Aftab, Perfect Transplants!

FIJM | Thanya Iyer and Arooj Aftab, Perfect Transplants!

Festival de Lanaudière | Renaud Loranger Explains The Program

Festival de Lanaudière | Renaud Loranger Explains The Program

FIJM | Kojo Melché Roney, Born to Drum

FIJM | Kojo Melché Roney, Born to Drum

FIJM 2025 | King Makaya triumphs again

FIJM 2025 | King Makaya triumphs again

FIJM | It’s About Time to Ackowledge Peter Evans Fabulous Playing

FIJM | It’s About Time to Ackowledge Peter Evans Fabulous Playing

FIJM | Yasmin Williams: Reinventing The Guitar!

FIJM | Yasmin Williams: Reinventing The Guitar!

FIJM | Natalia Lafourcade Sparks a Place des Arts Gone Mexican

FIJM | Natalia Lafourcade Sparks a Place des Arts Gone Mexican

FIJM | Clown Core: the theatre of extremes, between Pennywise and Krusty

FIJM | Clown Core: the theatre of extremes, between Pennywise and Krusty

Domaine Forget | A Summer of Discovery

Domaine Forget | A Summer of Discovery

FIJM | Wynton & JLCO: Something of an Opening Ceremony

FIJM | Wynton & JLCO: Something of an Opening Ceremony

Subscribe to our newsletter