Bishop Nehru introduces himself under his real name, Markel Scott, and invites us to enter his Nerhuvian thoughts as though they were pages in a book. The atmosphere is darker and the cover art too, but the first notes immediately refer to the album Elevator Act I and II. MF Doom, a constant since NerhuvianDOOM, is still here on tracks like “Meathead”, with its effective samples and boom-bap. The whole thing is wrapped up with an animated video full of references to hip hop culture, and moreover produced by Madlib. The album talks of loneliness, sleepless nights and a probable love story, while at the same time putting the industry that Bishop Nehru knows he depends on back in its place. From a Russian-opera sample (“Emperor”) to soul guitar coupled with saxophone, Bishop Nehru widens his palette, going from trap ambient to Tom Misch-like tracks, without neglecting to surround himself with hip hop masters such as DJ Premier. This production takes him away from the youthful freshness of his early days and leads him into deeper thoughts and acts, with a well-maintained lyricism and a style all his own, although it still reminds one a bit of Odd Future. Note that this album comes on the heels of a track released in March (“Too Lost”) which also deserves some attention.
Latest 360 Content
Concert review Classical/classique
Classic Spree 2025 | Music of a lifetime, marked by youth
By Frédéric Cardin
Concert review Classical/classique
Classical Spree 2025 | Helmchen/Hecker: A Bold Journey from Light to Darkness
By Frédéric Cardin
Interview classique/Classical
Virée classique 2025 | Beth Taylor sings of love and nature
By Alexandre Villemaire
Interview Africa/Mandingo Blues
Afrikan: a brand new festival of music and culture from Africa is launched
By Frédéric Cardin
Interview classique/Classical
Domaine Forget 2025 | Schubert’s Winterreise through the fingers and voice of Rachel Fenlon
By Alexandre Villemaire
Interview classique
Classical Outing 2025 | Pianist Martin Helmchen: Passion and Intensity by the handful
By Frédéric Cardin
Interview classique
Classical Spree 2025 | Obiora Ensemble : A concert-feast for the eyes and ears of the whole family!
By Frédéric Cardin
Album review Classical/classique 2025
Quatuor Bozzini – Owen Underhill : Songs and Quartets
By Frédéric Cardin
Album review Classical/classique 2025
English National Opera Orchestra/Martyn Brabbins – Havergal Brian : Agamemnon; Sinfonia tragica; Symphony no 12
By Frédéric Cardin
Album review Classical/classique 2025
The Curious Bards – Sublimation: Songs and dances from 18th-century Scandinavia
By Frédéric Cardin
Album review Classical/classique 2025
Ensemble Masques/Olivier Fortin – Bach, Telemann & Albinoni: Concerti
By Frédéric Cardin
Album review Experimental / Contemporary/expérimental / contemporain/Hip Hop/Jazz 2025
Quinton Barnes – Black Noise
By Frédéric Cardin
Album review Classical/classique 2025
François Leleux/Lisa Batiashvili/Frankfurt Radio Symphony – Future Horizons
By Frédéric Cardin
Album review Jazz 2025