The album Nocturne: A Fauré Recital, by Quebec pianist Louis Lortie, follows Après un rêve, released in 2016, and is the continuation of a series entirely dedicated to the music of Gabriel Fauré (1845-1924). On this album, Lortie visits two of the composer’s major works. First, the Ballade Op. 19 for solo piano (1879) which, despite its charming and pacific character, is endowed with a complexity that Liszt himself felt the need to emphasize. The album also includes the Theme and Variations Op. 73 (1895), which for its part is evocative of Schumann’s Symphonic Etudes. These works are accompanied by a selection of nocturnes and barcarolles. In prelude and postlude, Lortie presents his own arrangements of two movements of the Requiem Op. 48, Pie Jesu and In Paradisium. Lortie’s interpretation is imbued with clarity and, at times, an introspective atmosphere. The same applies to his arrangements, which highlight Fauré’s melodies while respecting their original character.
Tout le contenu 360
Interview classique
CMIM: Shira Gilbert and Zarin Mehta talk about Piano 2024 edition
Par Alexandre Villemaire
Interview classique
Before the CMIM kicks off, Chantal Poulin talks to us about the Piano 2024 edition.
Par Alexandre Villemaire
Critique d'album Pop/expérimental / contemporain/Experimental / Contemporary/Folk/Americana 2024
N NAO – Miroir
Par Louise Jaunet
Interview Rock
Alex Henry Foster Talks About Overcoming Death and his new album, Kimiyo
Par Stephan Boissonneault
Interview Classical/classique
Information: Montreal Oct. 1970 by Tim Brady: a first opera about the October ’70 Crisis
Par Frédéric Cardin
Critique d'album Electronic/Hip Hop/hyperpop 2024
Single of the Day: Kaya Hoax ft. Magi Merlin “Hot Girls with ADD”
Par Stephan Boissonneault
Critique d'album Americana/Pop
Taylor Swift – The Tortured Poet Department: The Anthology
Par Alain Brunet
Critique d'album classique/musique traditionnelle/Classical/trad québécois 2024
Karina Gauvin – Marie Hubert : Fille du Roy
Par Frédéric Cardin
Interview Folk/Americana/Rock/hyperpop
P’tit Belliveau Talks About His New Album, Frogs, and Income Tax
Par Stephan Boissonneault
Interview Rock/Electronic/Experimental / Contemporary/expérimental / contemporain/Pop
At Annie-Claude Deschênes’ table: between utensils & sound experimentation
Par Louise Jaunet
Critique de concert Folk/Americana
Noah Kahan: An Emotive Performance with Goofy Banter
Par Serena Yang
Critique de concert
Université de Montréal | Jean-François Rivest’s Grandiose Farewell
Par Elena Mandolini
Interview classique/Jazz/Classical