Country : Canada (Quebec) Label : Indépendant Genres and styles : Électro / Jazz / pop rnb Year : 2026

Franky Freedom – II

· by Frédéric Cardin

It was in March 2022 that the first Franky Freedom was introduced to us, sparking our interest in the drummer, composer, and director François Laliberté. We had noticed then beautiful sound gestures on the electro side as well as pretty good skills in rhythmic creativity. It must be said that the musician’s time at Berklee College in Boston, a musical reference and particularly for jazz, could only support serious intuitions. That said, while one could perceive all these aforementioned qualities, and others (including a keen attention to creating warm and inviting atmospheres), the overall sound remained rather anchored on the pop side of the force.

Not only does this second album bring jazz back to the forefront, but it also significantly enriches the arrangements of its music with a profusion of guitarists, bassists, and saxophonists. Local (Montreal) and international talents who have jammed with Jacob Collier or Tigran Hamasyan, for example. Let’s also note the very colourful Drum’n’Bass electro constructions, more refined than in the first album, which testify to the young artist’s excellent creative evolution. The generous and mellow beats are often adorned with surprising and intriguing additional textures, while skilfully supporting the solo lines on sax and guitar. 

The highlights: D&B DTGF (with the beautiful saxophone flights of Guillaume Carpentier), OUI (with its electro-industrial occasional roughness), the short and blazing Cowabunga (and its Ninja Turtles energy, hence the title, an obvious reference for all geeks), For Ralph (with the agile bass of Gary Willis) and the finale Moment which, beneath its initial classic R’n’B exterior, reveals a sonic boldness that the composer knows how to balance against the needs of a hypothetical dancefloor. Without being as memorable, other tracks are not lacking in interest, particularly thanks to Laliberté’s bubbling writing and the R’n’B colours enhanced by the voices of Mel Pacifico and Leonie Grey.

Franky Freedom, the elder, gave us a glimpse of some promises. This new kid here fulfills them and even reassures us about the seriousness of the Montrealer Laliberté’s approach. Beyond excellent studio tinkering, the drummer indicates that his musical art can be just as interesting to experience on stage, with live musicians and their real instruments.

Franky Freedom II will indeed be performed on stage on May 29th at Sotterenea in Montreal. Watch it out.

Latest 360 Content

Opér’actuel becomes a biennial festival: we discuss it with the artistic director Marie-Annick Béliveau

Opér’actuel becomes a biennial festival: we discuss it with the artistic director Marie-Annick Béliveau

Paul Marleyn; Stéphane Lemelin – Tenderness and Tragedy

Paul Marleyn; Stéphane Lemelin – Tenderness and Tragedy

TransQueb – Maelstrom

TransQueb – Maelstrom

Elinor Frey ; Accademia de’ dissonanti – CPE Bach : Cello Concertos

Elinor Frey ; Accademia de’ dissonanti – CPE Bach : Cello Concertos

FME 2026: haha Laughing, An Avant-Garde, Sluggy Surprise

FME 2026: haha Laughing, An Avant-Garde, Sluggy Surprise

haha Laughing All the Way to the Bank

haha Laughing All the Way to the Bank

The Four Seasons of Quebec: Interview with François Dompierre

The Four Seasons of Quebec: Interview with François Dompierre

Colin Stetson : Exploring and reinventing trad landscapes with Brìghde Chaimbeul

Colin Stetson : Exploring and reinventing trad landscapes with Brìghde Chaimbeul

Brìghde Chaimbeul and Colin Stetson – All the light in the world

Brìghde Chaimbeul and Colin Stetson – All the light in the world

FME 2026 I An Ether Afternoon with Worry

FME 2026 I An Ether Afternoon with Worry

FME 2026 I The Sadies and the Horse They Rode In On

FME 2026 I The Sadies and the Horse They Rode In On

FME 2026 I Moiré is Slowcore for Feeble Minds

FME 2026 I Moiré is Slowcore for Feeble Minds

FME 2026 I Double Truck, Double Violence

FME 2026 I Double Truck, Double Violence

FME 2026 I Mek’Dr’Dr Brings Shovels and Whimsical Post-Punk to FME

FME 2026 I Mek’Dr’Dr Brings Shovels and Whimsical Post-Punk to FME

FME 2026 I Hologramme Turns Petit Théâtre Into a Sweaty Discotheque

FME 2026 I Hologramme Turns Petit Théâtre Into a Sweaty Discotheque

FME 2026 I Lou-Adriane Cassidy Turns Main Stage Into Her Own Disco-Funk Coronation

FME 2026 I Lou-Adriane Cassidy Turns Main Stage Into Her Own Disco-Funk Coronation

FME 2026 I Thee Soreheads Are Basement Brain Surgeons

FME 2026 I Thee Soreheads Are Basement Brain Surgeons

FME 2026 I Muhoza Brings Unadulterated Joy

FME 2026 I Muhoza Brings Unadulterated Joy

FME 2026 I BALACLAVA: GOOD EFFECT ON TARGET

FME 2026 I BALACLAVA: GOOD EFFECT ON TARGET

FME 2026 I Corridor, A Psychedelic Indie Rock Ouroboros

FME 2026 I Corridor, A Psychedelic Indie Rock Ouroboros

FME 2026 I Iguana Death Cult Converts the Non-Believers

FME 2026 I Iguana Death Cult Converts the Non-Believers

FME 2026 I Max Baby is an Indie Sleeze Elf

FME 2026 I Max Baby is an Indie Sleeze Elf

FME 2026 | RIZOMAGIC from Bogotá: Tropical Futurism and Cosmic Tuning

FME 2026 | RIZOMAGIC from Bogotá: Tropical Futurism and Cosmic Tuning

FME 2026 I Birds of Prrrey’s Grungey Siren Call

FME 2026 I Birds of Prrrey’s Grungey Siren Call

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers