Performing its material in front of a live audience in the first quarter of 2020, Soul Secret Agency revived interest in its debut album, which was officially released in the spring of 2019 and… generally passed under the radar. Now it’s our turn to do so. The album was recorded at Hotel2Tango studio, under the guidance of sound engineer and director Howard Bilerman (Arcade Fire, Godspeed You! Black Emperor, Leonard Cohen, Pirate Heart). The Montreal collective includes director, composer, arranger and bassist Danny Trudeau, singer Abigail Galwey, guitarists Eric Lemelin and Francis Veillette (also on pedal steel), keyboardist Willis Pride, drummer Pascal Lepage and percussionist Elli Miller Maboungou. Danny Trudeau is also the regular bassist of singer Dominique Fils-Aimé, who is considered a member of the extended SSA family. She sings “Cuz I’m In Love” on the album, which she also did in the small room of M Telus last February. Clearly, both singer and musicians are seasoned professionals, with a passion for R&B, soul and ’60s and ’70s jazz groove. The “classical” playing of the performers, the use of the strings of the Esca Quartet, and the analog sound recordings give this music that retro-novo side that so many fans of these time-tested styles appreciate. The social, political, feminist, ecological and anti-racist commitment of the singer is expressed in superimposed form, which produces a curious contrast with the apparent conservatism of the music suggested here, however fervent and competent it may be. It does have the merit of reminding us that we are in 2020…
Latest 360 Content
Interview Jazz/expérimental / contemporain/Spoken Word
FLUX 2026 | Kim Zombik’s Origin Stories with Silvervest Quartet at Sala Rossa
By Alain Brunet
Concert review Classical/classique/Africa
Concert at the 9th Floor : the African essence of the chaconne
By Frédéric Cardin
Interview expérimental / contemporain
Flux 2026 | 2nd week according to Peter Burton
By Alain Brunet
Interview Jazz/expérimental / contemporain
QMP 2026 | Hugo Blouin, spoken words and played words
By Frédéric Cardin
Concert review Electronic
SAT X Making Time | Aurora Halal, dark, pulsating, sensual vibe with mystery and emotion.
By Julius Cesaratto
Interview Africa
VoixMonde on the 9th: meeting with the traditions of Rwanda with Deo Munyakazi
By Frédéric Cardin
Interview Jazz
Flux 2026 | Bob Stewart, the most senior jazz tuba player performing this week in MTL
By Michel Rondeau
Interview Classical/classique/Experimental / Contemporary/expérimental / contemporain
Flux 2026 | Liberté-Anne presents Frotae vol. 2
By Frédéric Cardin
Interview Pop/Classical/classique/expérimental / contemporain/Experimental / Contemporary
Flux 2026 | No Hay Banda invites Erika Angell and pays tribute to Suoni per il popolo
By Frédéric Cardin
Interview classique
Nicolas Ellis, Elizabeth St-Gelais, and the Orchestre de l’Agora at Bourgie: Under the watchful eye of the Moon, angels pass by
By Frédéric Cardin
Concert review Classical/classique
QMP 2026 | Épatants quatuors de George Lewis par Bozzini
By Frédéric Cardin
Interview Electronic
SAT/ Making Time |Aurora Halal’s One-hour Hardware Live Set Upcoming
By Julius Cesaratto
Interview Jazz/Experimental / Contemporary/expérimental / contemporain/Rock
Flux 2026 | 1st week-end according to Peter Burton
By Alain Brunet
Interview classique/Classical
Between Shostakovich and improvisation, Gabriela Montero speaks of freedom
By Alexandre Villemaire
Concert review Rock/Classical/classique/Jazz/free-rock/Experimental / Contemporary/expérimental / contemporain
QMP 2026 | Ackermann and D’Orion : the Complementarity of Extremes
By Frédéric Cardin
Concert review Classical/classique/Traditional
MÁM from Teaċ Daṁsa: The Ireland of All Dreams
By Frédéric Cardin
Album review Rock/Classical/classique/expérimental / contemporain/Experimental / Contemporary 2026
Erick D’Orion – Mes fantômes
By Frédéric Cardin
Concert review Electronic






















