Listings 360

Full listings 360
  • No results

Jan Blomqvist à la SAT

Sat 08 Mar 2025 • 08:00 pm Indie Pop / Tech-House
Société des arts technologiques (SAT) - Montréal 40,38$ ou 49,82$
· by Rédaction PAN M 360

Le chanteur, auteur-compositeur et leader de groupe basé à Berlin, Jan Blomqvist, fusionne une tech-house complexe et taillée pour les clubs avec une pop mélodieuse et mélancolique. Ses morceaux se caractérisent par des rythmes minimalistes mais entraînants, une production détaillée et des voix empreintes de nostalgie rappelant Thom Yorke. Il collabore souvent avec le pianiste Felix Lehmann et le batteur Christian Dammann, ainsi qu’avec le parolier Ryan Mathiesen.
Blomqvist a commencé à chanter et à jouer de la guitare dès son plus jeune âge, avant de découvrir la techno à 21 ans, ce qui l’a poussé à poursuivre une carrière musicale. Il passait ses nuits à travailler comme barman en club tout en produisant ses morceaux, développant son mélange unique de techno minimale et d’écriture pop.
En 2011, il sort deux singles sur le label Dantze de Philip Bader, dont une reprise de Big Jet Plane d’Angus & Julia Stone, et donne son premier concert en festival. Début 2012, il chante sur The Devil in Me d’Oliver Koletzki. Peu après, le label Stil Vor Talent de Koletzki publie son EP Ink.
Au cours des trois années suivantes, Blomqvist joue plus de 300 concerts à travers le monde et sort plusieurs singles, menant à la sortie de son premier album Remote Control chez Armada en 2016. Après une compilation de remixes, il publie le single Winter Roads sur le label Days Like Nights en 2017.

Berlin-based singer, songwriter, and bandleader Jan Blomqvist merges intricate, club-friendly tech-house with tuneful, melancholic pop. His songs are filled with minimal yet propulsive beats, detailed production, and yearning vocals recalling Thom Yorke. He often performs and records with pianist Felix Lehmann and drummer Christian Dammann, in addition to writing with lyricist Ryan Mathiesen.
Blomqvist began singing and playing guitar as a youth, and got into techno at the age of 21, after which he decided to pursue music as a career. He spent his nights working as a bartender at a club and making tracks, developing his blend of minimal techno and pop songwriting.
In 2011, he released two singles on Philip Bader’s Dantze label, including an interpretation of Angus & Julia Stone’s “Big Jet Plane,” and performed his first festival gig. In early 2012, he sang on Oliver Koletzki’s “The Devil in Me.” Soon after, Koletzki’s Stil Vor Talent label released Blomqvist’s Ink EP. During the next three years, Blomqvist played over 300 gigs throughout the world, and released a handful of additional singles, leading up to Remote Control, his debut full-length, which was issued by Armada in 2016. Following a remix collection, the single “Winter Roads” was issued by Days Like Nights in 2017.

POUR ACHETER VOTRE BILLET, C’EST ICI!

Ce contenu provient d’AllMusic et est adapté par PAN M 360

Latest 360 Content

FMA 2026 | Amin Reihani: Making Music a Language of Peace

FMA 2026 | Amin Reihani: Making Music a Language of Peace

Sophianne Girard – Si vivante

Sophianne Girard – Si vivante

Tara Davidson’s Marni Project – The Reflection of an Echo

Tara Davidson’s Marni Project – The Reflection of an Echo

Susan Fancher/Ināra Zandmane – Strange Lights

Susan Fancher/Ināra Zandmane – Strange Lights

Guillaume Côté’s A Midsummer Night’s Dreams: the choreographer talks about his intimate relationship with music

Guillaume Côté’s A Midsummer Night’s Dreams: the choreographer talks about his intimate relationship with music

SQMC/Chapelle Historique du Bon Pasteur: Discovering Quebec’s contemporary music

SQMC/Chapelle Historique du Bon Pasteur: Discovering Quebec’s contemporary music

Akousma| Felix Deufel introduces us to the uncharted sonic richness of the Arctic

Akousma| Felix Deufel introduces us to the uncharted sonic richness of the Arctic

Akousma | Les Artefacts sonores de Roxanne Turcotte

Akousma | Les Artefacts sonores de Roxanne Turcotte

Akousma | The Audréanne Filion and Myriam Bleau Duo: Where Reality and the Virtual Merge

Akousma | The Audréanne Filion and Myriam Bleau Duo: Where Reality and the Virtual Merge

Akousma | Exzald S, la violence du calme

Akousma | Exzald S, la violence du calme

Mois du Créole 2026 | Richy Jay: Keeping Konpa and Zouk Alive in Montreal

Mois du Créole 2026 | Richy Jay: Keeping Konpa and Zouk Alive in Montreal

Akousma | Melanie Zhou: Shaping Sound, Expressing Emotion

Akousma | Melanie Zhou: Shaping Sound, Expressing Emotion

Akousma | Alex Brisson et l’exploration musicale du feedback

Akousma | Alex Brisson et l’exploration musicale du feedback

Caprice at the 9th Floor: a pleasant meeting between Baroque and Carnatic music

Caprice at the 9th Floor: a pleasant meeting between Baroque and Carnatic music

Gilla Band – Pugnello

Gilla Band – Pugnello

David Bowie – The Shel Talmy Recordings

David Bowie – The Shel Talmy Recordings

Piknic Électronik x Igloofest: A Chilly Last Hurrah 

Piknic Électronik x Igloofest: A Chilly Last Hurrah 

Arion: Cinderella has fun and unleashes her magic

Arion: Cinderella has fun and unleashes her magic

Mois du Créole 2026 | David Bontemps: Between the Piano and Dessalines’ Legacy

Mois du Créole 2026 | David Bontemps: Between the Piano and Dessalines’ Legacy

Azrieli Prize 2026: The Four Pillars of the Temple

Azrieli Prize 2026: The Four Pillars of the Temple

Fat Dog – Cancel Me (I’m Tired)

Fat Dog – Cancel Me (I’m Tired)

Protomartyr – Hotel Usona

Protomartyr – Hotel Usona

Ensemble Caprice at the 9th: Dialogue with Carnatic India

Ensemble Caprice at the 9th: Dialogue with Carnatic India

A resurrected and vocally spectacular Cinderella at Bourgie Hall

A resurrected and vocally spectacular Cinderella at Bourgie Hall

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers