The first LP album from minimalist synth duo Boy Harsher kicks off with a sultry intro, swiftly moving into the clinical coldwave rhythms of “Realness”. Jae Matthews’ haunting vocals leave trails of recited prose, sombre yet vibrant in essence, while Gus Muller travels alongside with sensual electronic heartbeats. “Deep Well” suggests a denser New Order, while lyrics like “I wanna make it hurt more / I wanna make you dance” from “Morphine” sum up the paradoxical nature of the pair, subdued yet frantic and very danceable.
Latest 360 Content
Interview Electronic
SAT/ Making Time |Aurora Halal’s One-hour Hardware Live Set Upcoming
By Julius Cesaratto
Interview classique/Classical
Between Shostakovich and improvisation, Gabriela Montero speaks of freedom
By Alexandre Villemaire
Concert review Rock/Classical/classique/Jazz/free-rock/Experimental / Contemporary/expérimental / contemporain
QMP 2026 | Ackermann and D’Orion : the Complementarity of Extremes
By Frédéric Cardin
Concert review Classical/classique/Traditional
MÁM from Teaċ Daṁsa: The Ireland of All Dreams
By Frédéric Cardin
Album review Rock/Classical/classique/expérimental / contemporain/Experimental / Contemporary 2026
Erick D’Orion – Mes fantômes
By Frédéric Cardin
Concert review Electronic
Piknic Electronik | Egyptian Lover has the catalogue and the credentials, but…
By Julius Cesaratto
Interview expérimental / contemporain
Codes d’Accès | Battements: Geneviève Ackerman presents “Rimes défaites par le Sphinx”
By Alain Brunet
Interview afro-tech/Brazilian/Électro/Electronic/Pop
SAT / Making Time | Olof Dreijer Beyond The Knife… The Drums !
By Alain Brunet
Interview expérimental / contemporain/Classical/classique
Bozzini Quartet plays the quartets of an icon of avant-garde jazz: George Lewis
By Frédéric Cardin
Interview classique
The “Bring Your Own Wine” concerts by the Voxpopuli Quartet: where serious listening is combined with pleasure
By Frédéric Cardin
Concert review électro-minimal/Electronic/Classical/classique
Pop MTL 2026 | A Winged Victory For The Sullen… and What the Strings Leave Behind
By Marc-Antoine Bernier
Concert review expérimental / contemporain/Jazz/Hip Hop/Punk/Rock























