In 2010, Kanye West was at the pinnacle of his art with the launch of My Most Beautiful Dark Fantasy, at the intersection of hip hop, R&B, soul, pop, rock, chamber music and more. In 2013, he pushed the boundaries one last time with Yeezus, a visionary album for its explosive mix of darkwave, synthpunk, dub, and industrial hip hop. The critical posture of the MC consisted in particular in highlighting the decadence of Black arrivistes, nouveau-riche African America in the grip of machismo, materialistic arrogance and self-destruction. Unfortunately, Kanye’s creative star has been fading ever since…
Latest 360 Content
Interview Classical/classique
Festival de Lanaudière | Leonardo Garcia Alarcon/Monteverdi’s Coronation of Popea: being marketwise
By Frédéric Cardin
Concert review Folk/Americana/Jazz/Soul/R&B
FIJM | Nai Palm? Creature of Exception! Hawa B? Future Star!
By Alain Brunet
Concert review classique/Jazz/Traditional
FIJM 2025 | Symphonic Avishai Cohen: Bewitching magic
By Frédéric Cardin
Concert review Jazz
FIJM | Jeff Goldblum: Storyteller, Comedian and Pianist, 3 in 1
By Sandra Gasana
Concert review
FIJM I Still Taking Us There, Mavis Staples Electrifies Montreal JazzFest
By Stephan Boissonneault
Album review Rock/expérimental / contemporain/Pop 2024
FIJM | Orchestre Tout Puissant Marcel Duchamp – Ventre Unique
By Stephan Boissonneault
Album review Blues/Americana/Sacred Music/Soul/R&B 2024
Fantastic Negrito – Son of A Broken Man
By Stephan Boissonneault
Interview latino/Rock/Soul/R&B/Psychedelia/psychédélique
Cumbia, Chaos, and Resistance: Empanadas Illegales Bring the Heat to Montreal Jazz Fest
By Stephan Boissonneault
Concert review Americana/Brazilian/Jazz
FIJM | Dianne Reeves and Romero Lubambo: An Intimate Duo of Virtuosos
By Michel Labrecque
Concert review Jazz
FIJM | Samara Joy: Pushing Classic Vocal Jazz Repertoire to its Limits
By Harry Skinner
Concert review expérimental / contemporain