In 2010, Kanye West was at the pinnacle of his art with the launch of My Most Beautiful Dark Fantasy, at the intersection of hip hop, R&B, soul, pop, rock, chamber music and more. In 2013, he pushed the boundaries one last time with Yeezus, a visionary album for its explosive mix of darkwave, synthpunk, dub, and industrial hip hop. The critical posture of the MC consisted in particular in highlighting the decadence of Black arrivistes, nouveau-riche African America in the grip of machismo, materialistic arrogance and self-destruction. Unfortunately, Kanye’s creative star has been fading ever since…
Latest 360 Content
Interview Classical/classique
Azrieli Prize 2026 | Adrian Mocanu : ink that fades and the memory of women troubadours
By Frédéric Cardin
Interview Classical/classique
Azrieli Prize 2026 | Hana Ajiashvili : playing with an unsolved riddle
By Frédéric Cardin
Interview Classical/classique
Azrieli Prize 2026 | Dalit Hadass Warshaw: a final letter before dying
By Frédéric Cardin
Interview
Azrieli Prize 2026 | Nicholas Denton Protsack : searching for an authentic symbiosis
By Frédéric Cardin
Album review expérimental / contemporain/Classical/classique/Experimental / Contemporary 2026
Liberté Anne & Frotae – Volume 2
By Frédéric Cardin
Interview Jazz/expérimental / contemporain/Spoken Word
FLUX 2026 | Kim Zombik’s Origin Stories with Silvervest Quartet at Sala Rossa
By Alain Brunet
Concert review Classical/classique/Africa
Concert at the 9th Floor : the African essence of the chaconne
By Frédéric Cardin
Interview expérimental / contemporain
Flux 2026 | 2nd week according to Peter Burton
By Alain Brunet
Interview Jazz/expérimental / contemporain
QMP 2026 | Hugo Blouin, spoken words and played words
By Frédéric Cardin
Concert review Electronic
SAT X Making Time | Aurora Halal, dark, pulsating, sensual vibe with mystery and emotion.
By Julius Cesaratto
Interview Africa