In 2010, Kanye West was at the pinnacle of his art with the launch of My Most Beautiful Dark Fantasy, at the intersection of hip hop, R&B, soul, pop, rock, chamber music and more. In 2013, he pushed the boundaries one last time with Yeezus, a visionary album for its explosive mix of darkwave, synthpunk, dub, and industrial hip hop. The critical posture of the MC consisted in particular in highlighting the decadence of Black arrivistes, nouveau-riche African America in the grip of machismo, materialistic arrogance and self-destruction. Unfortunately, Kanye’s creative star has been fading ever since…
Latest 360 Content
Album review dream pop/Rock/Progressive Folk 2025
Jonathan Hultén – Eyes of the Living Night
By Alain Brunet
Concert review classique/Classical
OSM and Khachatryan | Music, Politics and The Human Condition
By Hélène Archambault
Concert review Jazz/expérimental / contemporain/Métal/Musique de création
M/NM | Metal and Contemporary Jazz at The SMCQ Buffet
By Alain Brunet
Interview Classical/classique/expérimental / contemporain
M/NM | DigiScores or The Art of Playing With Animated Scores
By Alexandre Villemaire
Album review Classical/classique 2025
Vannina Santoni; Orchestre national de Lille/Jean-Marie Zeitouni – Par amour
By Frédéric Cardin
Concert review Classical/classique/Piano
M/NM : Kafka’s Insect in metamorphosis under the Satosphère
By Judith Hamel
Interview Caribbean
Black History Month | Jean Jean Roosevelt Pays Tribute to Dessalines
By Keithy Antoine
Interview dream pop/Electronic/Americana/Rock/prog