In 2010, Kanye West was at the pinnacle of his art with the launch of My Most Beautiful Dark Fantasy, at the intersection of hip hop, R&B, soul, pop, rock, chamber music and more. In 2013, he pushed the boundaries one last time with Yeezus, a visionary album for its explosive mix of darkwave, synthpunk, dub, and industrial hip hop. The critical posture of the MC consisted in particular in highlighting the decadence of Black arrivistes, nouveau-riche African America in the grip of machismo, materialistic arrogance and self-destruction. Unfortunately, Kanye’s creative star has been fading ever since…
Latest 360 Content
Concert review Classical/classique
A lively Vivaldi with the Orchestre classique de Montréal and the Petits chanteurs du Mont-Royal
By Frédéric Cardin
Interview classique
Duo BoMi: The classical music of Lebanon and Kurdistan takes root in Quebec
By Frédéric Cardin
Concert review Africa/Moyen-Orient / Levant / Maghreb
Abdel Grooz Brings Mozaïk to A Spectacular Close
By Sandra Gasana
Album review Pop/Rock 2026
Nome Noma 3 – Québec Post-Punk et New Wave 1979-1983
By Stephan Boissonneault
Interview chanson française
Palais Montcalm | Thomas Fersen, nine years later: his classics and also the theatre behind “Le choix de la reine”
By Alain Brunet
Interview classique/concours/violon
The art of judging with Lucie Robert, president of the jury of the International Music Competition
By Alexandre Villemaire
Interview Electronic
SAT | “Futurs Antérieurs”, 3 Decades of Expertise Focused on The Future
By Alain Brunet
Interview























