In recent years, Marie Davidson has distinguished herself within the duo Essaie Pas, of which she is co-founder, but her solo career has also taken off with Adieux au Dancefloor (2016), preceded by Un autre voyage (2015), Perte d’identité (2014) and Marie Davidson (2012). The Montrealer has created an thorough blend of techno, punk, dance-punk, krautrock, and French synthwave, an amalgam to which she adds fragments of reflection, dramaturgy and poetry expressed in both English and French. On their own, each of the variables in Marie Davidson’s spread are of no exceptional interest — it’s their assembly that confers on them pronounced artistic value.
Latest 360 Content
Interview Classical/classique
Festival du Monde Arabe 2024 | Creation of an opera about Sainte-Marine the Disguised, the 5th-century woman who lived as a monk
By Frédéric Cardin
Interview Pop/Electronic
PHI Centre | Lia Kuri Talks and Sings about Mother, Mother Earth… Motherland
By Alain Brunet
Interview Eastern European/Jazz/Traditional
Malasartes | Kleyn Kabaret or how to revive and update Yiddish through music
By Alain Brunet
Interview Jazz/Classical/classique/Musiques du Monde
By Alain Brunet
Concert review Classical/classique
Pinnacle of Modern Choral Music at the Azrieli Music Prizes
By Alain Brunet
Interview classique/Classical
OSL | Antoine Bareil Plays Mendelssohn’s Famous Violin Concerto
By Alexandre Villemaire
Concert review Hip Hop/Moyen-Orient / Levant / Maghreb/rap
Arab World Festival of Montreal | Narcy and Omar Offendum: Two Decades of Friendship in Artistry
By Sandra Gasana
Interview Electronic/Classical/classique
Örjan Sandred and the Stenhammar Quartet Reinvent Live Electronics
By Alexandre Villemaire
Album review Classical/classique 2024
James Ehnes/Orchestre philharmonique de Bergen, dir.: Edward Gardner – Sibelius : Violin Concerto, Serenades, Humoresques
By Frédéric Cardin
Album review Modern music 2024
India Gailey – Butterfly Lightning Shakes the Earth
By Frédéric Cardin
Album review Western European/Jazz/Eastern European/Modern music/Traditional 2024
Calgaréal – Vanishing Points
By Frédéric Cardin
Concert review Classical/classique
Violons du Roy | Richness and Vocal Splendor of the Divine Handel
By Mona Boulay
Interview expérimental / contemporain/Classical/classique