Country : Canada Label : Acrophase Records Genres and styles : Ambient Pop / Indie Pop Year : 2023

Winona Forever – Acrobat

· by Lyle Hendriks

To call Vancouver-based indie pop outfit Winona Forever’s new album ‘bad’ would be a huge disservice. Known for tight, meticulous compositions, complex arrangements, and a sunshine hue overlaid on their past projects, Winona Forever is one of the Vancouver indie scene’s foremost groups. Their newest album, Acrobat, is one of the band’s most refined, thoughtfully-created pieces to date. And yet despite this, I can’t help but feel bored by it.

Realistically, my thoughts on Acrobat stem from expectations and bias. The group’s prior album, Feelgood (2019) is one of my all-time favourites, with its eclectic but deeply cohesive collection of tracks that could safely accompany just about anything you’re doing. Their weirdo, modern psychedelia approach to pop proved to be a winning formula, with the album’s strange timings, hazy compositions, and quintessential youthfulness winning them huge cult acclaim on the West Coast and beyond. 

My first thought while listening through Acrobat was that it sounds as if the band’s doctors told them to keep their heart rate down. This is likely due to the band’s approach of composing around piano first, rather than the more guitar-centric sound that drove their initial two albums. While this does result in tightly-crafted, minimalist pop songs that are undeniably catchy, it also leads to a feeling of simplicity and, worse, predictability. 

This album will likely be a light, enjoyable listen for anyone fortunate enough to just be discovering this band. But for those who, like myself, were taken by the curveball, endlessly surprising jams of Feelgood and This Is Fine (2016), there is an undeniable plain-ness to these new tracks that feels like an extreme underutilization of their talents and imagination. 
Winona Forever’s latest album is by no means a bad one, and perhaps my experience with Acrobat is simply a symptom of a band trying to follow up on such a killer sophomore album. Here’s hoping that the group’s future projects find ways to marry this album’s indifferent (yet skillful) vibe with their prior catalogue’s energy and innovation. There’s a lot to like on Acrobat, but I’m looking for something to love.

Latest 360 Content

APACALDA – LIE 4 U

APACALDA – LIE 4 U

Soul of Zoo Unveils “Connection,” The Result of Collaborations From Here and Abroad

Soul of Zoo Unveils “Connection,” The Result of Collaborations From Here and Abroad

Tracks and Feel: Live Sports at Bar le Ritz PDB

Tracks and Feel: Live Sports at Bar le Ritz PDB

Status/Non-Status – Big Changes

Status/Non-Status – Big Changes

Pro Musica / Mélodînes | Piano four hands delight with La Fiammata

Pro Musica / Mélodînes | Piano four hands delight with La Fiammata

The Shits – Diet Of Worms

The Shits – Diet Of Worms

Poison Ruïn – Hymns From The Hills

Poison Ruïn – Hymns From The Hills

Crack Cloud – Peace And Purpose

Crack Cloud – Peace And Purpose

Grace Ives, extremely intimate and volatile

Grace Ives, extremely intimate and volatile

Grace Ives – Girlfriend

Grace Ives – Girlfriend

Grace Ives Is the Not So Shy ‘Girlfriend’

Grace Ives Is the Not So Shy ‘Girlfriend’

KLO: A New Chapter in Music with The Single “Benito”

KLO: A New Chapter in Music with The Single “Benito”

OperaM3F | When a jazz quartet meets versatile voices

OperaM3F | When a jazz quartet meets versatile voices

Geneviève Bilodeau – Rendre Grâce

Geneviève Bilodeau – Rendre Grâce

Valérie Lacombe: From Classical Violin to Jazz Drums

Valérie Lacombe: From Classical Violin to Jazz Drums

UdeM – Ultrasound | Florence Dubé, Allison Chidiac, Alexandre Hamel, Alexandre Vaillant, Florence Lafontaine, Olivier Martin-Fréchette, Charles Anthony Raymond-Plante, Jacob Boucher, Rafaël Bouthillette, Félix Gervais-Richard

UdeM – Ultrasound | Florence Dubé, Allison Chidiac, Alexandre Hamel, Alexandre Vaillant, Florence Lafontaine, Olivier Martin-Fréchette, Charles Anthony Raymond-Plante, Jacob Boucher, Rafaël Bouthillette, Félix Gervais-Richard

UdeM – Ultrasound | Aurélie Théroux Sénécale, Maurice du Berger, Zao Dinel, Platon Beliaevskin, Ziryab El Hihi, Ac Riznar, Alex Ronald Brisson, Matisse Charbonneau, Jaden Brown

UdeM – Ultrasound | Aurélie Théroux Sénécale, Maurice du Berger, Zao Dinel, Platon Beliaevskin, Ziryab El Hihi, Ac Riznar, Alex Ronald Brisson, Matisse Charbonneau, Jaden Brown

Nuits d’Afrique Productions | Zalam Kao, Grand Prize Winner of the Syli d’Or

Nuits d’Afrique Productions | Zalam Kao, Grand Prize Winner of the Syli d’Or

Codes d’Accès, Constellations corporelles | “Crowdwork” by Alexis Blais, for Violins, Viola, and Loudspeakers

Codes d’Accès, Constellations corporelles | “Crowdwork” by Alexis Blais, for Violins, Viola, and Loudspeakers

My New Band Believe – My New Band Believe

My New Band Believe – My New Band Believe

Anna Calvi – Is This All There Is – EP

Anna Calvi – Is This All There Is – EP

Courtney Barnett – Creature of Habit

Courtney Barnett – Creature of Habit

Codes d’accès, Constellations corporelles | “Assembly Line Apparitions” by Nicholas Ma

Codes d’accès, Constellations corporelles | “Assembly Line Apparitions” by Nicholas Ma

Krooked Kings, catchy human experience

Krooked Kings, catchy human experience

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers