Dropping on Remembrance Day, 2016, during a week in which no one could truly comprehend that game-show host one-percenter and not-so-closet racist Donald Trump won the Oval Office, one of the absolute most important groups in the history of hip hop made a grandiose return and final farewell, 18 years after dropping their mics for what most figured would probably be forever, especially given the sudden and untimely passing of core member Phife Dawg earlier in the year. The whole thing came as a leftfield surprise at a time when right-minded people needed some good news. And unlike a lot of comeback records, often made for the wrong reasons, this love letter to fans and Phife, recorded in secret over the course of the year before and after his death, hit all the right notes with fans and critics, with the band as in fine form as their heyday and a catalogue entry on par with their most classic. It gave a taste of what might have been that was never meant to really be, as well as a timeless gift to hip hop and a document worthy of the times, its arrival ranking among the most exciting events in 21st-century hip hop history.
Latest 360 Content
Interview Electronic/Soul/R&B/South Asian
Suoni 2026 | Sunken Cages, “weird and interesting music” by Ravish Momin
By Alain Brunet
Concert review expérimental / contemporain
Suoni 2026 | Jardin botanique, bridge in the sky
By Joséphine Campbell-Lashuk
Concert review chanson française/Chanson francophone/Pop
Francos 2026 | Deux albums de Pierre Lapointe magnifiés avec l’OM
By Alain Brunet
Interview expérimental / contemporain/Experimental / Contemporary
Suoni 2026 | Alex Motta, Mexican double bassist for all contemporary expressions
By Alain Brunet
Interview expérimental / contemporain/Experimental / Contemporary
Suoni 2026 | Adrian Avendaño, all his paths for Trading Places
By Alain Brunet
Interview expérimental / contemporain
SUONI 2026 | Anju Singh, artist in residence from Vancouver to MTL
By Alain Brunet
Concert review Pop/Indie
Francos 2026 I Grand Eugène, Small Dreampop Indie, Ready For Main Stage
By Stephan Boissonneault
Concert review Pop/Rock
Francos 2026 I Zélie, jeune merveille à découvrir !
By Stephan Boissonneault
Concert review Chanson francophone
Francos 2026 | In the “Leloupsphere”… in the Dome and its aftermath
By Alain Brunet
Concert review Caribbean/Soul/R&B
Francos 2026 | Malaka, blending soul, folk, and Caribbean influences
By Sandra Gasana
Interview Classical/classique
Montréal Baroque Fest 2026 | Between food, whisky, concerts, and discoveries: A lot of sensations just before summer
By Frédéric Cardin
Concert review Classical/classique
Classica 2026 – Too hot and humid for Schubert, and the instruments
By Frédéric Cardin
Interview classique/jeunesse
Jeunesses Musicales Canada 2026-2027: Mission, Music for Everyone
By Frédéric Cardin
Album review Classical/classique 2026
Quatuor Voxpopuli – Novák, Schulhoff, Liatochynskyï
By Frédéric Cardin
Interview Jazz























