This album marked the return of American artist Ryan Lott after At War With Walls & Mazes, released four years earlier. As part of the NPR Challenge, The Wire asked him to produce a whole new album, including the cover, within the 28 days of February. The challenge was met with great success, with Lott negotiating a major turn, moving away from electronic minimalism and opting for a much more extensive musical approach, including the addition of acoustic instruments. His subsequent creations transformed this initially solo project into a very solid trio.
Latest 360 Content
Concert review classique/Jazz/Pop/trad québécois
The sparkling magic of Christmas, Yannick Nézet-Séguin… and Antoine Gratton!
By Frédéric Cardin
Concert review classique
Schulich | Horatio Quartet wins the Chamber Music Competition 2024-2025
By Judith Hamel
Concert review classique/Jazz
Schulich | Christmas classics with the McGill Jazz Orchestra
By Vitta Morales
Concert review classique/Classical
Schulich | Playing in the snow with the Contemporary Music Ensemble
By Judith Hamel
Concert review Brazilian/Jazz/Soul/R&B
Festival de Jazz – Brazil’s Luedji Luna Brings The Snow to Montreal
By Sandra Gasana
Interview expérimental / contemporain
René Lussier | Trésor de la métalangue, 50 Years of Guitar and Atypical Practices
By Alain Brunet
Interview expérimental / contemporain/Experimental / Contemporary
Ensemble SuperMusique Sets Out to Alarm Sound
By Alain Brunet
Interview Electronic/expérimental / contemporain/Experimental / Contemporary/Rock
Victime / En Conversation Avec… The Concert Follows The Album
By Alain Brunet
Interview Chanson francophone/Jazz