Composer and multi-instrumentalist, starting with this trumpet, whose lines recall the late Roy Hargrove at the service of D’Angelo, Nic Boulay is one of the ligaments of the Quebec jazzy hip-hop appendage inspired by the scenes in Los Angeles, Chicago and London. In Montreal, this all-round musician follows in the footsteps of Misc, Bellflower, Urban Science, Les Louanges, in short, he’s part of the extended family of millennials who are fed up with modern jazz and inclined to merge with groove, R&B, and hip-hop. Nic Boulay works here with keyboardist Jérôme Beaulieu, drummer William Côté, rapper D-Track (David Dufour), bassist and keyboardist Jérémi Roy, singer and musician Caro Dupont, bassist Pierre-David Girard, double bassist Olivier Hébert, and producer Félix “Felp” Petit. Boulay’s compositions bear witness to the culture acquired by a new generation of Quebec artists who have been expressing themselves for more than a decade now. Whether sung or rapped, the lyrics are also part of this rap keb aesthetic that is itself part of a larger whole, without really transcending it. It’s all very cool, it’s all very contemporary. We’re waiting for the album!
Latest 360 Content
Interview Classical/classique
Guillaume Côté’s A Midsummer Night’s Dreams: the choreographer talks about his intimate relationship with music
By Frédéric Cardin
Concert review classique/Classical
SQMC/Chapelle Historique du Bon Pasteur: Discovering Quebec’s contemporary music
By Pietro Freiburger
Interview
Akousma| Felix Deufel introduces us to the uncharted sonic richness of the Arctic
By Michel Rondeau
Interview Classical/classique/Electronic
Akousma | Les Artefacts sonores de Roxanne Turcotte
By Alexandre Villemaire
Interview Electronic/expérimental / contemporain
Akousma | The Audréanne Filion and Myriam Bleau Duo: Where Reality and the Virtual Merge
By Michel Rondeau
Interview Electronic/expérimental / contemporain
Akousma | Exzald S, la violence du calme
By Alain Brunet
Concert review Caribbean
Mois du Créole 2026 | Richy Jay: Keeping Konpa and Zouk Alive in Montreal
By Juliana Cortes
Interview arts numériques/Classical/classique/Électronique
Akousma | Melanie Zhou: Shaping Sound, Expressing Emotion
By Alexandre Villemaire
Interview arts numériques/Classical/classique/Électronique
Akousma | Alex Brisson et l’exploration musicale du feedback
By Alexandre Villemaire
Concert review Classical/classique
Caprice at the 9th Floor: a pleasant meeting between Baroque and Carnatic music
By Frédéric Cardin
Concert review Classical/classique
Arion: Cinderella has fun and unleashes her magic
By Frédéric Cardin
Interview Caribbean/Piano
Mois du Créole 2026 | David Bontemps: Between the Piano and Dessalines’ Legacy
By Sandra Gasana
Concert review Classical/classique
Azrieli Prize 2026: The Four Pillars of the Temple
By Frédéric Cardin
Interview Classical/classique
Ensemble Caprice at the 9th: Dialogue with Carnatic India
By Frédéric Cardin
Interview Classical/classique
A resurrected and vocally spectacular Cinderella at Bourgie Hall
By Frédéric Cardin
Interview Caribbean























