Country : United Kingdom Label : Rocket Genres and styles : Rock / Sludge Metal / Stoner Rock Year : 2020

Viscerals

· by Enzo Constantin

The smell of flesh pervades. Come on, these ruddy Pigs Pigs Pigs Pigs Pigs Pigs Pigs Pigs Pigs (we want to be rigorous, out of politeness) clearly push the sledge-metal cursor further than on their previous album, King of Cowards. The riffs are like butchers, they shear, cut through the fat, the bacon, no matter what, the guitars go to the guts. It’s not for nothing that the album is called Viscerals. These good ol’ Geordies from Newcastle upon Tyne have above all simplified the deal by radically refocusing their compositions to obtain new strengths in the strings and drums.

However, just like Halloween Bolson, Adam Ian Sykes and Sam Grant modestly try new things: they take a shot at prog-metal without ever falling into the noise trap that might have stunted the efficiency of Viscerals. The melodies are heady, as in “Crazy in Blood”; Christopher Morley’s percussion redoubles its intensity on “On Reducer”, punctuated by Baty’s fulgurating vocals over Michael Hedley’s bass. Sometimes epic, often infernal, Viscerals pays tribute to the dark and spectacular ages of Black Sabbath, as on “World Crust”. Sometimes the album tends to be a little more in tune with the style of the thugs of Sunn O))), without a whiff of the new inspirations in the metal genre. Viscerals is an efficient album, but it tends to go round in circles after several listenings. It’s a pity, because the members of Pigs Pigs Pigs Pigs Pigs have talent. However, Viscerals is still an album that strings you up like a leg of lamb, wrapped and weighed.

Latest 360 Content

P’tit Belliveau Talks About His New Album, Frogs, and Income Tax

P’tit Belliveau Talks About His New Album, Frogs, and Income Tax

At Annie-Claude Deschênes’ table: between utensils & sound experimentation

At Annie-Claude Deschênes’ table: between utensils & sound experimentation

Noah Kahan: An Emotive Performance with Goofy Banter

Noah Kahan: An Emotive Performance with Goofy Banter

Université de Montréal | Jean-François Rivest’s Grandiose Farewell

Université de Montréal | Jean-François Rivest’s Grandiose Farewell

OSL | Naomi Woo | Musique du Nouveau Monde

OSL | Naomi Woo | Musique du Nouveau Monde

Anderson & Roe, piano duo great innovators

Anderson & Roe, piano duo great innovators

Nadia Labrie – Flute Passion – Claude Bolling : Suite for Flute and Jazz Piano Trio

Nadia Labrie – Flute Passion – Claude Bolling : Suite for Flute and Jazz Piano Trio

David Jalbert – Prokofiev : Piano Sonatas vol. II

David Jalbert – Prokofiev : Piano Sonatas vol. II

HOMESHAKE – CD Wallet

HOMESHAKE – CD Wallet

Hawa B or not Hawa B ? “sadder but better” EP answers the question !

Hawa B or not Hawa B ? “sadder but better” EP answers the question !

Willows and Soleil Launière: A post-eclipse luminous evening

Willows and Soleil Launière: A post-eclipse luminous evening

Kevin Johansen – Quiero Mejor

Kevin Johansen – Quiero Mejor

Shades of Bowie, composed for the man behind Blackstar

Shades of Bowie, composed for the man behind Blackstar

Bahar Harandi’s feminist Iran

Bahar Harandi’s feminist Iran

Sunglaciers – Regular Nature

Sunglaciers – Regular Nature

Canicule – BOYZ

Canicule – BOYZ

David Jacques – 16 histoires de guitares III

David Jacques – 16 histoires de guitares III

Abel Selaocoe: the wind that blows away

Abel Selaocoe: the wind that blows away

Single of The Day – “everyday it rains” – Sea Shapes

Single of The Day – “everyday it rains” – Sea Shapes

Tolemn – Jango

Tolemn – Jango

Single of the Day – “OVEROVEROVER” – OH, BERLIN

Single of the Day – “OVEROVEROVER” – OH, BERLIN

Beyoncé – Cowboy Carter

Beyoncé – Cowboy Carter

Orkestar Kriminal – Originali

Orkestar Kriminal – Originali

Simon Denizart – Piece of Mind

Simon Denizart – Piece of Mind

Subscribe to our newsletter