Barely out of their teens, sisters Chloe and Halle Bailey were recruited by the management of superdiva Beyoncé and her label Parkwood. Their debut album, The Kids Are Alright, was honoured at the Grammys in 2018, the two found a place on the sitcom Grown-ish, and now here’s the much-awaited Ungodly Hour. Songwriters, composers and performers, they’re certainly not into avant-pop sorcery, but their Black American approach is nevertheless elegant, refined, diversified, and attractive. This approach is accompanied by excellent beatmaking in the context of archipop parameters, sometimes including Caribbean sensibilities. The choice of textures emanating from the keyboards is truly creative, the grooves are sealed in a high-resistance synthetic mortar, the subtle filters on their voices also afford them a uniqueness. Motown-style throwbacks are also on the program with “Don’t Make It Harder On Me”, and the melodies and grooves are (obviously) inviting from start to finish. Ex-Roots Scott Storch and the British duo Disclosure flesh out the songs “Do It” and “Ungodly Hour” respectively, all of which leaves the clear impression that Chloe x Halle could exercise real aesthetic leadership in their still early pop careers.
Latest 360 Content
Interview Electronic/expérimental / contemporain
SAT X EAF | Amselysen and The Ideal Perfume of A Serial Killer
By Félicité Couëlle-Brunet
Interview classique/Classical
Festival Classica: An Ode to Hope with Elvira Misbakhova
By Judith Hamel
Interview Classical/classique
Transforming Hiroshima mon amour into contemporary opera: Christian Lapointe and Rosa Lind tell the story
By Marilyn Bouchard
Concert review Classical/classique
“Hiroshima, mon amour”: An Evening to Remember
By Marilyn Bouchard
Concert review Électro/euro-disco
Art of the Line: Klangkarussell’s Euro Vision at SAT
By Loic Minty
Dossier
Centroamérica – a powerful docu-play about truth and connection in an age of distance and denial
By Stephan Boissonneault
Album review classique/Sacred Music/Latino/Classical/Pop 2025
Lido Pimienta – La Belleza
By Stephan Boissonneault
Album review Experimental / Contemporary/expérimental / contemporain/Rock/psych 2025
Grails – Miracle Music
By Stephan Boissonneault
Album review Electronic/Indigenous peoples 2025
The Halluci Nation – Path of the Baby Face
By Stephan Boissonneault
Interview Classical/classique
A lap steel guitar choir and an angel to end the Innovations en concert 24-25 season
By Frédéric Cardin
Concert review classique/Classical/Traditional
The OSM and Abel Selaocoe: Evenings When You’d Like to Stop Time
By Judith Hamel
Concert review Classical/classique