There’s a great time to be had with the Californian band’s 13th album, but overall, Titans of Creation lacks consistency, stalling a few times during the listen. It’s a shame, since the record arrives like a lion with “Children of the Next Level”, which highlights Testament’s talent for creating songs full of galloping melodies and invigorating solos that make you want to wave your fist in the air, or run through a field. Moments like these can be found at the beginning and the end of Titans of Creation. They are interspersed with “City of Angels”, “Ishtar’s Gate” and “Symptoms”, slower-tempo songs that fall flat after the driving vigour of the first four. Titans of Creation regains its momentum with “False Prophet” and reaches its apogee with “Code of Hammurabi” and “Curse of Osiris”. The latter includes the black-metal vocals of guitarist Eric Peterson, the founder of Testament, who is also guitarist and singer of the symphonic black thrash band Dragonlord. The inclusion of black-metal vocals reminds us that Testament is still capable of surprising us, even after a 37-year career.
Latest 360 Content
Interview Classical/classique/Jazz
Classica 2026 | Michel Legrand, Opera, Symphony, Jazz… Lorraine Desmarais Tells All!
By Alain Brunet
Concert review classique/Classical
CMIM 2026 | Japan Triumphs with Russian and Hungarian Music!
By Julie Thériault
Interview Electronic/Soul/R&B/Pop
SAT | Johnny Jewel back in MTL for a live set of his vast and impressive work
By Alain Brunet
Interview classique/Jazz
Domaine Forget 2026 | A Full Summer in The Musical Paradise of Charlevoix
By Alain Brunet
Concert review Africa
With Yatou, Noubi Brings Together Voices From Around the World
By Sandra Gasana
Interview Electronic
SAT | PAURRO, Mexican sauces for Breakbeats, Latin music, Hard grooves, techno, 90’s and More
By Ariel Rutherford
Interview Electronic
SAT | Matias Aguayo, Dancing As A Form of Resistance and Collective Survival
By Félicité Couëlle-Brunet
Interview Classical/classique
The 31st Montreal Chamber Music Festival: A Global Community by Denis Brott
By Alain Brunet
Interview Classical/classique
Classica 2026 | Karina Gauvin is deeply moved by Strauss’s Four Last Songs
By Frédéric Cardin
Interview classique/concours/violon
Des violons sous nos toits : The 2026 Edition of the Montreal International Music Competition, as Told by Its Executive Director
By Alexandre Villemaire
Interview classique/concours/violon
The Next Generation Takes the Stage: Ana Drobac Talks About Her Experience as a Member of the Young Artists’ Jury at the Montreal International Music Competition
By Alexandre Villemaire
Concert review Classical/classique
Quatuor Molinari | The Shostakovich Complete Works: From Challenge to Pure Joy
By Michel Rondeau
Concert review Classical/classique
A lively Vivaldi with the Orchestre classique de Montréal and the Petits chanteurs du Mont-Royal
By Frédéric Cardin
Interview Africa/Amérique latine/Caribbean
Nuits d’Afrique: The Legacy of a Festival That Has Become a Must-See Event
By Sandra Gasana
Interview classique
Duo BoMi: The classical music of Lebanon and Kurdistan takes root in Quebec
By Frédéric Cardin
Concert review Africa/Moyen-Orient / Levant / Maghreb























