If you take the time to listen to Apex Predator – Easy Meat (2015) before Throes of Joy in the Jaws of Defeatism, you’ll immediately hear the link between the two albums. It’s as if the last track on the new album, “A Bellyful of Salt and Spleen”, completes the loop that began with the title track from the album released five years ago. Reading the album release confirms this impression, since according to bassist Shane Embury, who composed all the songs, Throes of Joy is the logical sequel to Apex Predator – Easy Meat. In this sense, the 16th effort of the band from Birmingham, England, includes everything we love about their sound: a mix of death metal, grind, hardcore and punk that detonates in all directions like a nail bomb. Napalm Death also allow themselves to slow the tempo down on “Invigorating Cluth” and “Amoral”, which reflect the influence of Killing Joke on the band. As for the lyrics by singer Mark “Barney” Greenway and Embury, they have “the other” as their theme. They denounce the intolerance, violence, and injustices inflicted on those who are considered inferior or different. If you liked Apex Predator – Easy Meat, you’ll love their newest addition. Note that the bonus version includes two covers, Sonic Youth’s “White Kross” and Rudimentary Peni’s “Blissful Myth”.
Latest 360 Content
Interview Classical/classique
Opér’actuel becomes a biennial festival: we discuss it with the artistic director Marie-Annick Béliveau
By Frédéric Cardin
Album review Classical/classique 2026
Paul Marleyn; Stéphane Lemelin – Tenderness and Tragedy
By Frédéric Cardin
Album review Classical/classique 2026
Elinor Frey ; Accademia de’ dissonanti – CPE Bach : Cello Concertos
By Frédéric Cardin
Concert review Experimental/Hip Hop
FME 2026: haha Laughing, An Avant-Garde, Sluggy Surprise
By Jake Friesen
Interview Experimental/Hip Hop
haha Laughing All the Way to the Bank
By Jake Friesen & Lyle Hendriks
Interview classique/Classical
The Four Seasons of Quebec: Interview with François Dompierre
By Frédéric Cardin
Interview Classical/classique
Colin Stetson : Exploring and reinventing trad landscapes with Brìghde Chaimbeul
By Frédéric Cardin
Album review Classical/classique 2026
Brìghde Chaimbeul and Colin Stetson – All the light in the world
By Frédéric Cardin
Concert review Experimental/percussions/Rock
FME 2026 I Mek’Dr’Dr Brings Shovels and Whimsical Post-Punk to FME
By Stephan Boissonneault
Concert review
FME 2026 I Hologramme Turns Petit Théâtre Into a Sweaty Discotheque
By Stephan Boissonneault
Concert review
FME 2026 I Lou-Adriane Cassidy Turns Main Stage Into Her Own Disco-Funk Coronation
By Stephan Boissonneault
Concert review Rock/jangle pop/Psychedelia
FME 2026 I Corridor, A Psychedelic Indie Rock Ouroboros
By Stephan Boissonneault
Concert review Rock
FME 2026 I Iguana Death Cult Converts the Non-Believers
By Stephan Boissonneault
Interview latino/Electronic























