Country : United States Label : Blue Note Genres and styles : Jazz / Soul / Vocal Jazz Year : 2020

The Women Who Raised Me

· by Steve Naud

The Women Who Raised Me is the third album that Kandace Springs has recorded since she was noticed by Prince and then picked up by Blue Note. She adheres more than ever to the label’s predilection since, if until now she was sailing on more soulful waters, the agile double bass of the great Christian McBride announces within the very first seconds of the record that she’s now on the blue seas of jazz with all sails open.

As its title attests, this new project by the Nashville-born singer is an opportunity for her to pay tribute to the women who have made her the artist she is today. She offers us covers of songs by Astrud Gilberto, Sade Adu, Bonnie Raitt, Lauryn Hill, Nina Simone, Billie Holiday, Norah Jones, Roberta Flack, Dusty Springfield, and Carmen McRae. In doing so, she runs the risk of taking on untouchables such as “Solitude” or “Killing Me Softly”. She even goes so far as to superimpose “I Put a Spell on You” and Beethoven’s famous “Moonlight Sonata”! Yet she avoids all the pitfalls that come with such choices, thanks to her good taste and assured singing.

In addition, she is supported by a cohort of illustrious jazz practitioners. In addition to McBride, trumpeter Avishai Cohen (who works wonders on “I Can’t Make You Love Me”), young flautist Elena Pindehughes and, on saxophones, good old David Sanborn and the great Chris Potter. None of them cast any shadow over the singer who, although she may not have a singular personality, has all the talent and class necessary to be part of the tradition in which the great ladies this album celebrates have evolved.

Latest 360 Content

Guillaume Côté’s A Midsummer Night’s Dreams: the choreographer talks about his intimate relationship with music

Guillaume Côté’s A Midsummer Night’s Dreams: the choreographer talks about his intimate relationship with music

SQMC/Chapelle Historique du Bon Pasteur: Discovering Quebec’s contemporary music

SQMC/Chapelle Historique du Bon Pasteur: Discovering Quebec’s contemporary music

Akousma| Felix Deufel introduces us to the uncharted sonic richness of the Arctic

Akousma| Felix Deufel introduces us to the uncharted sonic richness of the Arctic

Akousma | Les Artefacts sonores de Roxanne Turcotte

Akousma | Les Artefacts sonores de Roxanne Turcotte

Akousma | The Audréanne Filion and Myriam Bleau Duo: Where Reality and the Virtual Merge

Akousma | The Audréanne Filion and Myriam Bleau Duo: Where Reality and the Virtual Merge

Akousma | Exzald S, la violence du calme

Akousma | Exzald S, la violence du calme

Mois du Créole 2026 | Richy Jay: Keeping Konpa and Zouk Alive in Montreal

Mois du Créole 2026 | Richy Jay: Keeping Konpa and Zouk Alive in Montreal

Akousma | Melanie Zhou: Shaping Sound, Expressing Emotion

Akousma | Melanie Zhou: Shaping Sound, Expressing Emotion

Akousma | Alex Brisson et l’exploration musicale du feedback

Akousma | Alex Brisson et l’exploration musicale du feedback

Caprice at the 9th Floor: a pleasant meeting between Baroque and Carnatic music

Caprice at the 9th Floor: a pleasant meeting between Baroque and Carnatic music

Gilla Band – Pugnello

Gilla Band – Pugnello

David Bowie – The Shel Talmy Recordings

David Bowie – The Shel Talmy Recordings

Piknic Électronik x Igloofest: A Chilly Last Hurrah 

Piknic Électronik x Igloofest: A Chilly Last Hurrah 

Arion: Cinderella has fun and unleashes her magic

Arion: Cinderella has fun and unleashes her magic

Mois du Créole 2026 | David Bontemps: Between the Piano and Dessalines’ Legacy

Mois du Créole 2026 | David Bontemps: Between the Piano and Dessalines’ Legacy

Azrieli Prize 2026: The Four Pillars of the Temple

Azrieli Prize 2026: The Four Pillars of the Temple

Fat Dog – Cancel Me (I’m Tired)

Fat Dog – Cancel Me (I’m Tired)

Protomartyr – Hotel Usona

Protomartyr – Hotel Usona

Ensemble Caprice at the 9th: Dialogue with Carnatic India

Ensemble Caprice at the 9th: Dialogue with Carnatic India

A resurrected and vocally spectacular Cinderella at Bourgie Hall

A resurrected and vocally spectacular Cinderella at Bourgie Hall

Mois du Créole 2026 | Pierre-Roland Bain: A Look Back and a Look Ahead

Mois du Créole 2026 | Pierre-Roland Bain: A Look Back and a Look Ahead

Girl Ultra – RRRomeo

Girl Ultra – RRRomeo

Cameron Winter – Live at Carnegie Hall

Cameron Winter – Live at Carnegie Hall

Eveybody’s Friends With Broken Social Scene

Eveybody’s Friends With Broken Social Scene

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers