Feathership was a multi-headed Montreal project (their first EP generated a decent buzz in 2009) before becoming an essentially two-headed adventure (the other half was producer and multi-instrumentalist Vincent Blain), five years later, for the album Howl. This time around, singer-songwriter Jean-Philippe Sauvé single-handedly incubated Feathership’s latest progeny, entitled The West Side. That said, he still surrounded himself with a few people to deliver the new opus: Christian Sean handled the production and arrangements, Benjamin Courcy delivered the drums and percussion, while Francis Major (Charlotte Cardin) took care of the mixing and sound recording. Sauvé’s work can evoke that of Fleet Foxes, Calexico, and Andy Shauf – notably the sonic atmospheres on the title track. The song “Saviour” is exceptionally catchy, whereas “The West Side” is a little jewel imbued with the sensitivity and daydreams of the globetrotting ocean lover. As for “High Moon”, it has a little more oomph, just like “Sun Friend”, which has the most complex structure of the four songs in this general offering of quality folk-rock. Beautiful lyrics, pretty arrangements, and quasi-lyrical atmospheres that create a calm but lively universe.
Latest 360 Content
Interview Jazz/Experimental / Contemporary/expérimental / contemporain/Folk/Americana
Suoni 2026 | Time travelling with Wendy Eisenberg
By Joséphine Campbell-Lashuk
Interview Electronic/Soul/R&B/South Asian
Suoni 2026 | Sunken Cages, “weird and interesting music” by Ravish Momin
By Alain Brunet
Concert review expérimental / contemporain
Suoni 2026 | Jardin botanique, bridge in the sky
By Joséphine Campbell-Lashuk
Concert review chanson française/Chanson francophone/Pop
Francos 2026 | Deux albums de Pierre Lapointe magnifiés avec l’OM
By Alain Brunet
Interview expérimental / contemporain/Experimental / Contemporary
Suoni 2026 | Alex Motta, Mexican double bassist for all contemporary expressions
By Alain Brunet
Interview Rock/Jazz/expérimental / contemporain/Experimental / Contemporary
Suoni 2026 | Dancing on chaos with The Ex
By Michel Rondeau
Interview expérimental / contemporain/Experimental / Contemporary
Suoni 2026 | Adrian Avendaño, all his paths for Trading Places
By Alain Brunet
Interview expérimental / contemporain
SUONI 2026 | Anju Singh, artist in residence from Vancouver to MTL
By Alain Brunet
Concert review Pop/Indie
Francos 2026 I Grand Eugène, Small Dreampop Indie, Ready For Main Stage
By Stephan Boissonneault
Concert review Pop/Rock
Francos 2026 I Zélie, jeune merveille à découvrir !
By Stephan Boissonneault
Concert review Chanson francophone
Francos 2026 | In the “Leloupsphere”… in the Dome and its aftermath
By Alain Brunet
Concert review Caribbean/Soul/R&B
Francos 2026 | Malaka, blending soul, folk, and Caribbean influences
By Sandra Gasana
Interview Classical/classique
Montréal Baroque Fest 2026 | Between food, whisky, concerts, and discoveries: A lot of sensations just before summer
By Frédéric Cardin
Concert review Classical/classique
Classica 2026 – Too hot and humid for Schubert, and the instruments
By Frédéric Cardin
Interview classique/jeunesse























