Feathership was a multi-headed Montreal project (their first EP generated a decent buzz in 2009) before becoming an essentially two-headed adventure (the other half was producer and multi-instrumentalist Vincent Blain), five years later, for the album Howl. This time around, singer-songwriter Jean-Philippe Sauvé single-handedly incubated Feathership’s latest progeny, entitled The West Side. That said, he still surrounded himself with a few people to deliver the new opus: Christian Sean handled the production and arrangements, Benjamin Courcy delivered the drums and percussion, while Francis Major (Charlotte Cardin) took care of the mixing and sound recording. Sauvé’s work can evoke that of Fleet Foxes, Calexico, and Andy Shauf – notably the sonic atmospheres on the title track. The song “Saviour” is exceptionally catchy, whereas “The West Side” is a little jewel imbued with the sensitivity and daydreams of the globetrotting ocean lover. As for “High Moon”, it has a little more oomph, just like “Sun Friend”, which has the most complex structure of the four songs in this general offering of quality folk-rock. Beautiful lyrics, pretty arrangements, and quasi-lyrical atmospheres that create a calm but lively universe.
Latest 360 Content
Album review Chanson francophone/Americana/Folk 2026
Geneviève Bilodeau – Rendre Grâce
By Frédéric Cardin
Concert review Classical/classique/Electronic/expérimental / contemporain
UdeM – Ultrasound | Florence Dubé, Allison Chidiac, Alexandre Hamel, Alexandre Vaillant, Florence Lafontaine, Olivier Martin-Fréchette, Charles Anthony Raymond-Plante, Jacob Boucher, Rafaël Bouthillette, Félix Gervais-Richard
By Jeremy Fortin
Concert review Classical/classique/Electronic
UdeM – Ultrasound | Aurélie Théroux Sénécale, Maurice du Berger, Zao Dinel, Platon Beliaevskin, Ziryab El Hihi, Ac Riznar, Alex Ronald Brisson, Matisse Charbonneau, Jaden Brown
By Jeremy Fortin
Concert review musique du monde
Nuits d’Afrique Productions | Zalam Kao, Grand Prize Winner of the Syli d’Or
By Frédéric Cardin
Interview
Codes d’Accès, Constellations corporelles | “Crowdwork” by Alexis Blais, for Violins, Viola, and Loudspeakers
By Alain Brunet
Album review Rock/Pop/Progressive Folk 2026
My New Band Believe – My New Band Believe
By Stephan Boissonneault
Interview Experimental/expérimental / contemporain
Codes d’accès, Constellations corporelles | “Assembly Line Apparitions” by Nicholas Ma
By Alain Brunet
Album review expérimental / contemporain/Experimental / Contemporary/Rock 2026
A Place To Bury Strangers – Rare and Deadly
By Stephan Boissonneault
Interview Hip Hop/Musiques du Monde
Finale Sylis d’or 2026: we present to you Zalam Kao
By Frédéric Cardin
Interview Brazilian
Finale Sylis d’or 2026: we present to you Tamboréal Samba Bloco
By Frédéric Cardin
Interview Moyen-Orient / Levant / Maghreb/classique
Lamia Yared: Between the Minho, Euphrates, eras and traditions
By Frédéric Cardin
Interview Eastern European/Electronic/Jazz/Hip Hop/latino/Traditional























