At the helm of King Krule, the young Englishman Archy Ivan Marshall directs attention to a new meeting point between jazz, punk, dub, hip hop, trip hop, soul and electro. Frosty voices and hungover looks are carried by apparently indolent instrumental performances, heavily sensual yet precise, effective, inspired, and superbly integrated — drums, guitar, bass, saxophone, vibraphone, keyboards, machines and software. The grit of the vocals and the ambient sounds conceal a great aesthetic richness, a genuine musical depth. Grace of another sort…
Latest 360 Content
Album review Classical/classique 2026
Alain Trudel; Orchestre symphonique de Trois-Rivières; Élisabeth Pion; Valérie Milot – Ravel
By Frédéric Cardin
Interview Hip Hop/Maori Traditional Music/rap
Présence Autochtone I Rei Speaks About His ‘Haka’ Rap
By Michel Labrecque
Concert review Pop/Electronic
OSHEAGA 2026 | Lorde Closes Osheaga Wired to Her Own Heartbeat
By Stephan Boissonneault
Concert review Hip Hop
OSHEAGA 2026 I Clipse Drip with Swag on the Mountain
By Stephan Boissonneault
Concert review Rock/Pop
OSHEAGA 2026 I Not For Radio Reincarnates on the Forest
By Stephan Boissonneault
Concert review Hip Hop
OSHEAGA 2026 I Little Simz is a Laid-back Class in Phenomenal Energy
By Marc-Antoine Bernier
Album review Électro/expérimental / contemporain 2026
Visible Cloaks – Paradessence
By Frédéric Cardin
Interview classique
Airborne strings in the Parks of Montreal with Andrei Feher and the Orchestre classique de Montréal
By Frédéric Cardin
Concert review Rock/Pop/Soul/R&B/Jazz
OSHEAGA 2026 | Blood Orange Pokes A Hole in the Clouds
By Stephan Boissonneault