The indomitable Jello Biafra absolutely wanted this album to see the light of day before the American presidential elections of November 34, 2020, pandemic or not. In this mishmash that constitutes the sound universe of the former Dead Kennedys singer, we can of course hear hints of the punk band, but also of his collaborations with Al Jourgensen from Ministry, or Melvins. It’s frenetic, with just enough diversions to make the whole thing more digestible; punk-rock fans will be glutted and happy. But the focal point remains Biafra’s lucid, caustic, and cynical remarks. His pen is as sharp as ever and his voice, recognizable among a thousand, as lively as ever. He talks about Trump, of course, and Putin as well, but also about the place occupied by social media, the evolution of American society and the “winner” mentality at the basis of American mythology. So we’re on familiar ground again, but the album is just fresh enough to make the effort relevant and current, without straying too far from what has become the sound of Jello Biafra, as solid and effective as ever. The sexagenarian’s retirement isn’t scheduled for anytime soon.
Latest 360 Content
Interview Classical/classique/Electronic
Akousma | Les Artefacts sonores de Roxanne Turcotte
By Alexandre Villemaire
Interview Electronic/expérimental / contemporain
Akousma | Duo Audréanne Filion et Myriam Bleau : là où réel et virtuel se confondent
By Michel Rondeau
Concert review Caribbean
Mois du Créole 2026 | Richy Jay: Keeping Konpa and Zouk Alive in Montreal
By Juliana Cortes
Interview arts numériques/Classical/classique/Électronique
Akousma | Melanie Zhou: Shaping Sound, Expressing Emotion
By Alexandre Villemaire
Concert review Classical/classique
Caprice at the 9th Floor: a pleasant meeting between Baroque and Carnatic music
By Frédéric Cardin
Concert review Classical/classique
Arion: Cinderella has fun and unleashes her magic
By Frédéric Cardin
Interview Caribbean/Piano
Mois du Créole 2026 | David Bontemps: Between the Piano and Dessalines’ Legacy
By Sandra Gasana
Concert review Classical/classique
Azrieli Prize 2026: The Four Pillars of the Temple
By Frédéric Cardin
Interview Classical/classique
Ensemble Caprice at the 9th: Dialogue with Carnatic India
By Frédéric Cardin
Interview Classical/classique
A resurrected and vocally spectacular Cinderella at Bourgie Hall
By Frédéric Cardin
Interview Caribbean























