Performing its material in front of a live audience in the first quarter of 2020, Soul Secret Agency revived interest in its debut album, which was officially released in the spring of 2019 and… generally passed under the radar. Now it’s our turn to do so. The album was recorded at Hotel2Tango studio, under the guidance of sound engineer and director Howard Bilerman (Arcade Fire, Godspeed You! Black Emperor, Leonard Cohen, Pirate Heart). The Montreal collective includes director, composer, arranger and bassist Danny Trudeau, singer Abigail Galwey, guitarists Eric Lemelin and Francis Veillette (also on pedal steel), keyboardist Willis Pride, drummer Pascal Lepage and percussionist Elli Miller Maboungou. Danny Trudeau is also the regular bassist of singer Dominique Fils-Aimé, who is considered a member of the extended SSA family. She sings “Cuz I’m In Love” on the album, which she also did in the small room of M Telus last February. Clearly, both singer and musicians are seasoned professionals, with a passion for R&B, soul and ’60s and ’70s jazz groove. The “classical” playing of the performers, the use of the strings of the Esca Quartet, and the analog sound recordings give this music that retro-novo side that so many fans of these time-tested styles appreciate. The social, political, feminist, ecological and anti-racist commitment of the singer is expressed in superimposed form, which produces a curious contrast with the apparent conservatism of the music suggested here, however fervent and competent it may be. It does have the merit of reminding us that we are in 2020…
Latest 360 Content
Interview DJ set/Electronic/expérimental / contemporain/Experimental / Contemporary/Soul/R&B/Jazz
MUTEK 2026 | Herbert in Three Shows: The Activist, Composer and Producer Is Finally Back
By Alain Brunet
Concert review Rock
Vans Warped Tour Montreal: Big Ass Truck I. E. Whips Ghost Stage into A Frenzy
By Jake Friesen
Concert review Pop/Rock
Vans Warped Tour Montreal: 3OH!3 is Still Raunchy and Full of Bangers
By Jake Friesen
Concert review Rock
Vans Warped Tour Montreal: Joyce Manor — Wide Awake at the End of the Summer
By Lyle Hendriks
Concert review Rock
Vans Warped Tour Montreal: Concrete Vehicles is Pure Stage Violence
By Stephan Boissonneault
Concert review Rock
Vans Warped Tour Montreal: Bearings Brought Pop Punk Bliss to Ghost Stage
By Stephan Boissonneault
Album review classique 2026
Isabella d’Éloize Perron, Francis Choinière et l’Orchestre FILMharmonique – François Dompierre : Les quatre saisons du Québec
By Frédéric Cardin
Concert review Rock/Pop
Vans Warped Tour Montreal: Bowling For Soup is the Greatest Band of All Time
By Stephan Boissonneault
Interview Electronic/expérimental / contemporain/exposition
MUTEK 2026 : What Does a Laser Sound Like in the Super Galaxy Meow Meow ?
By Ariel Rutherford
Album review Classical/classique/expérimental / contemporain 2026
Olivier Alary – Vestiges
By Frédéric Cardin
Album review Jazz 2026
Domas Žeromskas – Meditations on Providence and Perseverance, Vol. 2
By Frédéric Cardin
Interview Electronic/Experimental / Contemporary/expérimental / contemporain/Rock
MUTEK 2026 | Finding the Flow With Fennesz
By Alain Brunet
Interview Classical/classique/Romantic
Domaine Forget 2026 | Mathieu Lussier and the discovery of French music
By Pietro Freiburger
Album review Classical/classique 2026























