Country : United States Label : CORE PORT Genres and styles : Jazz Fusion / Jazz-Funk Year : 2022

Snarky Puppy – Empire Central

· by Varun Swarup

Snarky Puppy needs no introduction, their name is all but synonymous with ‘jazz fusion’ in the 21st century. Perhaps better described as a collective than a band, the group has between 25 to 40 musicians in their roster and is known around the world for their epic arrangements and visceral performances. While members of Snarky Puppy diaspora hail from all corners, the group has its origins in the practice rooms of the University of North Texas, where bassist and frontman, Michael League .came to conceive the project. Their latest outing, Empire Central, sees them turning to their Texan roots for inspiration in delivering a solid set of originals. 

As one would expect with any Snarky Puppy record, the group retains their idiomatic blend of funk, jazz, r&b, and even prog for good measure. Though the band have always made it a point to write music that nourishes the mind and body, in Empire Central they offer more of a heady feast for the body. Recorded over the course of eight nights at a Dallas nightclub, the band leans more heavily on groove and rhythm with tight, economic arrangements that play to their strengths. 

Along for the ride this time along is New York native turned Texan Bernard Wright. An influential keyboardist in the 1980s, Wright delights in the funky number “Take It!” and is a strong presence. “Belmont” is another standout track that showcases the band’s strong melodic and part writing. As always, the sound engineers do stellar work in giving clarity to each element in the mix. While there is nothing particularly mind-blowing on display here, the band plays it safe with a solid release sure to please fans and newcomers alike. 

Latest 360 Content

FIJM 2026 / Chief Xian aTunde Adjuah: Anti-Jazz Hero… Nevertheless… Chief!

FIJM 2026 / Chief Xian aTunde Adjuah: Anti-Jazz Hero… Nevertheless… Chief!

FIJM 2026 | Elena Pinderhughes, the best flute… not the best music

FIJM 2026 | Elena Pinderhughes, the best flute… not the best music

FIJM 2026 | Interview with Kalia Vandever, a new voice for the trombone

FIJM 2026 | Interview with Kalia Vandever, a new voice for the trombone

FIJM 2026 | The Harp Can Count on Brandee Younger

FIJM 2026 | The Harp Can Count on Brandee Younger

FIJM 2026 | The Artistry of the Trio with Craig Taborn

FIJM 2026 | The Artistry of the Trio with Craig Taborn

FIJM 2026 I Naïka Brings The Caribbean to Jazz Fest

FIJM 2026 I Naïka Brings The Caribbean to Jazz Fest

FIJM 2026 I The Alchemist Exhibits Why He’s Hip Hop’s Beat and Sampling Master

FIJM 2026 I The Alchemist Exhibits Why He’s Hip Hop’s Beat and Sampling Master

FIJM 2026 | Joshua Redman: Notes and Thoughts from the Modern Jazz Giant

FIJM 2026 | Joshua Redman: Notes and Thoughts from the Modern Jazz Giant

FIJM 2026 | If you love alto sax, you gotta know Immanuel Wilkins

FIJM 2026 | If you love alto sax, you gotta know Immanuel Wilkins

Lanaudière Festival 2026 | Gala de la Terre and Saint Lawrence River protection with the Agora Orchestra on Opening Night

Lanaudière Festival 2026 | Gala de la Terre and Saint Lawrence River protection with the Agora Orchestra on Opening Night

FIJM 2026 | Day 7 | July 1 | Modibo Keita’s Picks

FIJM 2026 | Day 7 | July 1 | Modibo Keita’s Picks

FIJM 2026 | Keyon Harrold, Miles and him

FIJM 2026 | Keyon Harrold, Miles and him

Kane Parsons & Edo Van Breeman – Backrooms (Original Soundtrack)

Kane Parsons & Edo Van Breeman – Backrooms (Original Soundtrack)

FIJM 2026 | St. Vincent Symphonic: Pure Ecstasy

FIJM 2026 | St. Vincent Symphonic: Pure Ecstasy

FIJM 2026 I Hiromi Uehara: A Musical Journey Full of (Sonic) Wonder

FIJM 2026 I Hiromi Uehara: A Musical Journey Full of (Sonic) Wonder

FIJM 2026 I Kamasi Washington Brings Us to Space

FIJM 2026 I Kamasi Washington Brings Us to Space

FIJM 2026 | Rémi Cormier takes us up in his own Ascenseur pour l’échafaud

FIJM 2026 | Rémi Cormier takes us up in his own Ascenseur pour l’échafaud

FIJM 2026 | Marvin Caleb at the Heart of the Afro Revival in the Caribbean

FIJM 2026 | Marvin Caleb at the Heart of the Afro Revival in the Caribbean

FIJM 2026 | Trumpeter Rachel Therrien in Several Pieces, Part 1

FIJM 2026 | Trumpeter Rachel Therrien in Several Pieces, Part 1

FIJM 2026 | Charles Lloyd: An Icon, a Legend, and So Much More

FIJM 2026 | Charles Lloyd: An Icon, a Legend, and So Much More

FIJM 2026 | Adrian Quesada, a great musical innovator in Texas

FIJM 2026 | Adrian Quesada, a great musical innovator in Texas

FIJM 2026 | The polka dot alien Québécois craze has landed

FIJM 2026 | The polka dot alien Québécois craze has landed

FIJM 2026 | Louis Cole and David Binney, crucial players of an extended family in LA

FIJM 2026 | Louis Cole and David Binney, crucial players of an extended family in LA

FIJM 2026 | Day 4 | June 28 | Modibo Keita’s Picks

FIJM 2026 | Day 4 | June 28 | Modibo Keita’s Picks

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers