Country : United Kingdom Label : Dead Oceans Genres and styles : Dream Pop / Shoegaze Year : 2023

Slowdive – everything is alive

· by Varun Swarup

In the annals of shoegaze history, the 22-year hiatus seems to have become something of a trope. First it was My Bloody Valentine, who reemerged in the public consciousness with the release of MBV in 2013. Slowdive followed suit, releasing their own eponymous LP in 2017, 22 years after the release of Pygmalion (1995). Since then Slowdive have had a following that should be the envy of many, with a legion of old fans and new cast under the spell of their dreamy melancholy. Now the release Everything is Alive sees the band not only reaffirming their place in the pantheon of dream-pop but also catapulting them into a new era of musical relevance. Slowdive stands at the top of their game, surpassing even their own lofty standards set decades ago.

The album opener, “shanty”, places you in a soundscape that is unmistakably Slowdive, yet it’s also a refreshing evolution of their sound. The band deftly imbues their tried and true sonic foundations with layers upon layers of textures that invite you to lose yourself in its depths. The classic wall of reverb-drenched guitars has been joined by a palette of contemporary elements that adds depth and dimension. Songs like “alife” and “chained to a cloud” are prime showcases for this synthesis of old and new, with pulsating modular synths and cascading guitar lines creating a pleasantly hypnotic experience. 

Rachel Goswell’s vocals remain a celestial force throughout the album, her ethereal presence weaving seamlessly through the intricate tapestry of sound. Her ability to evoke a sense of yearning and introspection is as potent as ever, and it’s one of the defining elements that continue to set Slowdive apart. Lyrically, Everything Is Alive delves into the big questions of time, existence, and of reality, but of course being a shoegaze album the lyrics are mostly unintelligible. Still, it’s an album that draws you toward contemplation and reflection. Everything Is Alive is a testament to Slowdive’s enduring creative spirit. It’s an album that proves that they are not content to rest on their laurels but are committed to pushing the boundaries of their genre. In a musical landscape that often craves innovation, Slowdive demonstrates that true artistry lies in the ability to reinvent oneself while staying true to one’s self.

Latest 360 Content

FME 2026 I Muhoza Brings Unadulterated Joy

FME 2026 I Muhoza Brings Unadulterated Joy

FME 2026 I BALACLAVA: GOOD EFFECT ON TARGET

FME 2026 I BALACLAVA: GOOD EFFECT ON TARGET

FME 2026 I Corridor, A Psychedelic Indie Rock Ouroboros

FME 2026 I Corridor, A Psychedelic Indie Rock Ouroboros

FME 2026 I Iguana Death Cult Converts the Non-Believers

FME 2026 I Iguana Death Cult Converts the Non-Believers

FME 2026 I Max Baby is an Indie Sleeze Elf

FME 2026 I Max Baby is an Indie Sleeze Elf

FME 2026 | RIZOMAGIC from Bogotá: Tropical Futurism and Cosmic Tuning

FME 2026 | RIZOMAGIC from Bogotá: Tropical Futurism and Cosmic Tuning

FME 2026 I Birds of Prrrey’s Grungey Siren Call

FME 2026 I Birds of Prrrey’s Grungey Siren Call

FME 2026 I Choses Sauvages: Where the Wild Things Are

FME 2026 I Choses Sauvages: Where the Wild Things Are

FME 2026 I Camilla Sparksss Brings the Noise

FME 2026 I Camilla Sparksss Brings the Noise

Jackie Leung – Inside Out : Piano Music by Alvin Singleton

Jackie Leung – Inside Out : Piano Music by Alvin Singleton

FME 2026: Philippe Larocque’s Top Five Acts To See This Year

FME 2026: Philippe Larocque’s Top Five Acts To See This Year

Tönky Hönk – The ËP

Tönky Hönk – The ËP

The Holland Court Jazz Trio – Inverted Tango

The Holland Court Jazz Trio – Inverted Tango

Eldritch Priest – Too, So Like Nothing

Eldritch Priest – Too, So Like Nothing

Raymond Roussel – No One Asked Us Yet

Raymond Roussel – No One Asked Us Yet

Rite of Strings – Dust and the Moon

Rite of Strings – Dust and the Moon

Souk du Sud 2026 | Paul Cargnello: Two Decades of Music and Social Engagement

Souk du Sud 2026 | Paul Cargnello: Two Decades of Music and Social Engagement

Souk du Sud 2026 | Nicolas Lossen: Jazz, Memory, and Heritage in Dialogue

Souk du Sud 2026 | Nicolas Lossen: Jazz, Memory, and Heritage in Dialogue

Souk du Sud 2026 | Emmanuelle Boucher: From “La Voix” to Her Own Path

Souk du Sud 2026 | Emmanuelle Boucher: From “La Voix” to Her Own Path

Souk du Sud 2026 | Borduas: From the Stage to Behind the Scenes of Culture

Souk du Sud 2026 | Borduas: From the Stage to Behind the Scenes of Culture

Jabfung – In Real Life

Jabfung – In Real Life

Stranger Still – We Might Not Tell Everybody This

Stranger Still – We Might Not Tell Everybody This

Souk du Sud 2026 | A Crossroads of Cultures, According to Patrice Agbokou

Souk du Sud 2026 | A Crossroads of Cultures, According to Patrice Agbokou

Alabama Shakes – I Must Be Dreaming

Alabama Shakes – I Must Be Dreaming

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers