Born in Virginia to a Colombian father, Karly-Marina Loaiza became Kali Uchis in Los Estados Unidos. Since childhood, she’s been imbued with her cultural roots by regularly visiting Colombia, and her second nationality is put forward here. A resident of Los Angeles since her professional debut, she had become an R&B singer, surrounded by top beatmakers, starting with the gifted Tyler the Creator. Isolation, her 2018 debut album, propelled her onto every R&B and hip-hop stage on the international circuit. Until the recent release of Sin Miedo (del Amor y Otros Demonios), Spanish was ornamentation on Anglo-American expression. This time, English plays a supporting role and the mother tongue the main one, a metaphor for a globalization in which identities retain their attractive power. From this perspective, this pop album by Kali Uchis is an ideal hybrid and contributes to changing our perceptions of Latin pop. The production standards are very high, there’s no need to catch up with the best of Anglo-American beatmaking; Uchis has availed herself of a legion of guest composers, directors, musicians, and singers – the Puerto Rican artists Jowel & Randy and Jhay Cortez, the Canadian PartyNextDoor, the American Rico Nasty. Bolero (romantic ballads), reggaeton, orchestral pop, hip-hop, soul, and R&B are here wrapped in superb, refined arrangements and top-notch synthesized sounds in a pop context. Sensual and hyper-sexualized singer, but above all imperial songstress, the talented Uchis imposes her difference in globalized pop.
Latest 360 Content
Concert review classique/Jazz/Rock/Métal/Moyen-Orient / Levant / Maghreb
Nuits d’Afrique | Sarab, East-West Conversation In Your Face
By Alain Brunet
Concert review Brazilian/Reggae
Nuits d’Afrique | Flavia Coelho, A Woman of Many Instruments
By Sandra Gasana
Concert review latino
Nuits d’Afrique | La Chiva Gantiva Launches the Festival with a Bang
By Michel Labrecque
Interview Classical/classique
Festival de Lanaudière | Live tour de force by Christian Tetzlaff: the JS Bach Complete Sonatas and Partitas
By Alain Brunet
Album review Pop/Experimental / Contemporary/expérimental / contemporain/Rock/Soul/R&B
U.S. Girls – Scratch It
By Stephan Boissonneault
Interview Caribbean
Festival Un Goût des Caraïbes: All Those Islands Within The Island
By Alain Brunet
Interview Africa/latino/Electronic
Nuits d’Afrique | KillaBeatMaker, Afro Columbian Electronic Groove
By Alain Brunet
Interview Classical/classique
Festival de Lanaudière | Collectif9 : contemporary music through groove and folk
By Frédéric Cardin
Interview classique/Jazz/Métal/Moyen-Orient / Levant / Maghreb/Rock
Nuits d’Afrique | SARĀB, Syrian-Lebanese Songs Sizzled With Metal and Jazz-Rock
By Alain Brunet
Album review Électro/expérimental / contemporain 2025
Tyr Jami – Morphic Subduction
By Frédéric Cardin
Album review Jazz 2025
Arve Henriksen, Trygve Seim, Anders Jormin, Markku Ounaskari – Arcanum
By Frédéric Cardin
Album review Classical/classique 2025