Country : United States Label : BMG / Jewel Runners / RBC Genres and styles : Hip Hop / Rock / Synth-Punk Year : 2020

RTJ4

· by Alain Brunet

With the release of this fourth studio album, the famous rap duo Run the Jewels immediately became iconic players in the hip hop response to the police abuses we see in the USA once again, another time too many. In Minneapolis last week, the events surrounding the murder of George Floyd by a police officer with the passive complicity of his colleagues precipitated the release of this much-anticipated album.

The free download of RTJ4 is accompanied by an appeal to donate to Black rights organizations, starting with Black Lives Matter and the National Lawyers Guild. The black-and-white alliance symbolized by the rapper Killer Mike and the beatmaker-rapper El-P is ideal in this context of societal conflagration, which is a clear sign of the ever-present racial inequalities in North America .

True to itself, the tandem doesn’t play coy, they lay on the invectives and calls to challenge the established order. Thus, the virulent lyrics of Killer Mike and El-P are of the same order as those put in rhyme on RJT’s previous albums, entirely relevant in the context of the demonstrations in Ferguson and the 2016 presidential election. Galvanized by the situation, our comrades are putting on their hats as militants and full-on leftists – we know of Killer Mike’s support for Bernie Sanders and his inelegant, confusingly sexist rejection of Hillary Clinton four years ago during the Democratic leadership campaign.

The beats and sounds are inspired as much by the old school of rap as they are by synth-punk, not without reminding us of Atari Teenage Riot, saxophones blare furiously, warlike melodies are sung, a child screams motherfucker, riffs from Gang of Four are quoted. “Classic” artists from Black culture and also from rock are invited to raise their voices: veterans Greg Nice and DJ Premier, the septuagenarian Mavis Staples (whose late father’s whole family was once closely associated with the fight for civil rights), the singer Josh Homme from Queens of the Stone Age, the Black pop hitmaker Pharrell Williams, and the militant tribune Zach de la Rocha, more than ever enraged against the machine.

The words are incendiary, the sound is incendiary, this is the ideal framework to accompany all the demonstrations in progress and to power opposition to police repression, to systemic poverty within the world’s biggest economic power, against capitalism that has gone feral again. This shit hits hard.

Latest 360 Content

Guillaume Côté’s A Midsummer Night’s Dreams: the choreographer talks about his intimate relationship with music

Guillaume Côté’s A Midsummer Night’s Dreams: the choreographer talks about his intimate relationship with music

SQMC/Chapelle Historique du Bon Pasteur: Discovering Quebec’s contemporary music

SQMC/Chapelle Historique du Bon Pasteur: Discovering Quebec’s contemporary music

Akousma| Felix Deufel introduces us to the uncharted sonic richness of the Arctic

Akousma| Felix Deufel introduces us to the uncharted sonic richness of the Arctic

Akousma | Les Artefacts sonores de Roxanne Turcotte

Akousma | Les Artefacts sonores de Roxanne Turcotte

Akousma | The Audréanne Filion and Myriam Bleau Duo: Where Reality and the Virtual Merge

Akousma | The Audréanne Filion and Myriam Bleau Duo: Where Reality and the Virtual Merge

Akousma | Exzald S, la violence du calme

Akousma | Exzald S, la violence du calme

Mois du Créole 2026 | Richy Jay: Keeping Konpa and Zouk Alive in Montreal

Mois du Créole 2026 | Richy Jay: Keeping Konpa and Zouk Alive in Montreal

Akousma | Melanie Zhou: Shaping Sound, Expressing Emotion

Akousma | Melanie Zhou: Shaping Sound, Expressing Emotion

Akousma | Alex Brisson et l’exploration musicale du feedback

Akousma | Alex Brisson et l’exploration musicale du feedback

Caprice at the 9th Floor: a pleasant meeting between Baroque and Carnatic music

Caprice at the 9th Floor: a pleasant meeting between Baroque and Carnatic music

Gilla Band – Pugnello

Gilla Band – Pugnello

David Bowie – The Shel Talmy Recordings

David Bowie – The Shel Talmy Recordings

Piknic Électronik x Igloofest: A Chilly Last Hurrah 

Piknic Électronik x Igloofest: A Chilly Last Hurrah 

Arion: Cinderella has fun and unleashes her magic

Arion: Cinderella has fun and unleashes her magic

Mois du Créole 2026 | David Bontemps: Between the Piano and Dessalines’ Legacy

Mois du Créole 2026 | David Bontemps: Between the Piano and Dessalines’ Legacy

Azrieli Prize 2026: The Four Pillars of the Temple

Azrieli Prize 2026: The Four Pillars of the Temple

Fat Dog – Cancel Me (I’m Tired)

Fat Dog – Cancel Me (I’m Tired)

Protomartyr – Hotel Usona

Protomartyr – Hotel Usona

Ensemble Caprice at the 9th: Dialogue with Carnatic India

Ensemble Caprice at the 9th: Dialogue with Carnatic India

A resurrected and vocally spectacular Cinderella at Bourgie Hall

A resurrected and vocally spectacular Cinderella at Bourgie Hall

Mois du Créole 2026 | Pierre-Roland Bain: A Look Back and a Look Ahead

Mois du Créole 2026 | Pierre-Roland Bain: A Look Back and a Look Ahead

Girl Ultra – RRRomeo

Girl Ultra – RRRomeo

Cameron Winter – Live at Carnegie Hall

Cameron Winter – Live at Carnegie Hall

Eveybody’s Friends With Broken Social Scene

Eveybody’s Friends With Broken Social Scene

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers