Oneohtrix Point Never, AKA American artist Daniel Lopatin, has devoted himself to processing, transforming and reassembling micro-fragments of pre-recorded music. These particles implicate song, percussion, keyboards and machines generating synthesized sounds, juxtaposing them with different harmonic layers (synthesizers and machines) and drone effects. This approach is not a guarantee of success. That lies in the quality of the integration, in the end result… and what results! Definitely a reference album for anyone interested in digital arts.
Latest 360 Content
Interview Classical/classique
Transforming Hiroshima mon amour into contemporary opera: Christian Lapointe and Rosa Lind tell the story
By Marilyn Bouchard
Concert review Classical/classique
“Hiroshima, mon amour”: An Evening to Remember
By Marilyn Bouchard
Concert review Électro/euro-disco
Art of the Line: Klangkarussell’s Euro Vision at SAT
By Loic Minty
Dossier
Centroamérica – a powerful docu-play about truth and connection in an age of distance and denial
By Stephan Boissonneault
Album review classique/Sacred Music/Latino/Classical/Pop 2025
Lido Pimienta – La Belleza
By Stephan Boissonneault
Album review Experimental / Contemporary/expérimental / contemporain/Rock/psych 2025
Grails – Miracle Music
By Stephan Boissonneault
Album review Electronic/Indigenous peoples 2025
The Halluci Nation – Path of the Baby Face
By Stephan Boissonneault
Interview Classical/classique
A lap steel guitar choir and an angel to end the Innovations en concert 24-25 season
By Frédéric Cardin
Concert review classique/Classical/Traditional
The OSM and Abel Selaocoe: Evenings When You’d Like to Stop Time
By Judith Hamel
Concert review Classical/classique
Reaching for the sky: Francis Choinière’s challenge to end his OPCM’s 10th season
By Frédéric Cardin
Album review art rock/Pop/Rock/électro-indie/Electronic 2025
Stereolab – Instant Holograms On Metal Film
By Stephan Boissonneault
Interview expérimental / contemporain/Classical/classique
SMCQ | In memoriam Jocelyn Morlock
By Alain Brunet
Album review Classical/classique 2025