Oneohtrix Point Never, AKA American artist Daniel Lopatin, has devoted himself to processing, transforming and reassembling micro-fragments of pre-recorded music. These particles implicate song, percussion, keyboards and machines generating synthesized sounds, juxtaposing them with different harmonic layers (synthesizers and machines) and drone effects. This approach is not a guarantee of success. That lies in the quality of the integration, in the end result… and what results! Definitely a reference album for anyone interested in digital arts.
Latest 360 Content
Interview Jazz
FIJM 2026 | A Love Supreme played straightforward by Isaiah Collier’s Quartet
By Alain Brunet
Concert review Jazz
FIJM 2026 | Kassa Overall Crumbles the Boundary Between Jazz and Hip Hop
By Harry Skinner
Concert review Jazz
FIJM 2026 | Anamaria Oramas Showcases Authentic Colombian Jazz
By Michel Labrecque
Concert review Jazz
FIJM 2026 | The Art of the Perfect Trio at Upstairs with Billy Childs
By Frédéric Cardin
Interview Jazz/Moyen-Orient / Levant / Maghreb
FIJM 2026 | Ibrahim Maalouf All The Way… With Four Pistons!
By Alain Brunet
Interview Jazz
FIJM 2026 | Rachel Therrien in Three Parts: It culminates on July 3 at the Festival
By Michel Labrecque
Concert review Jazz
FIJM 2026 | Kalia Vandever’s Nocturnal Trombone creates the right mood
By Frédéric Cardin
Concert review Jazz
FIJM 2026 | Kind of Blue And A Love Supreme on the Same Bill?… A Supreme Blue… What’s the Connection?
By Alain Brunet
Concert review Jazz
FIJM 2026 | Chief Xian aTunde Adjuah: Anti-Jazz Hero… Nevertheless… Chief!
By Varun Swarup
Interview Jazz
FIJM 2026 | Interview with Kalia Vandever, a new voice for the trombone
By Frédéric Cardin
Concert review Caribbean/Soul/R&B