Country : Canada Label : Rise records Genres and styles : Emo / Pop-Punk / Punk Rock Year : 2025

PUP – Who Will Look After the Dogs?

· by Stephan Boissonneault

I’ll admit that I haven’t been really grabbed by PUP’s work since Morbid Stuff back in 2019. That album was kind of lightning in a bottle; an anthemic pop punk album that took vocalist/ rhythm guitarist Stefan Babcock’s most vulnerable feelings about anxiety, death, and wallowing depression and channelled them through 11 compelling songs, with no real duds. The work after, the This Place Sucks Ass EP, and follow-up album, The Unraveling of PUPTheBand went for more of an indie sound and to my ears, it didn’t really measure up, and maybe because it sounded like three or four songs reworked over and over again.

So here we are with a new album, Who Will Look After The Dogs?, and I’m happy to report that it’s in the same wheelhouse as Morbid Stuff, with some of these lyrics reading as fantastically devastating. Babcock delves deep into personal themes, exploring relationships, mental health, and self-reflection with a candidness that resonates throughout the album. The album opens with “No Hope,” setting a tone of existential angst that carries through tracks like “Olive Garden” and “Hunger For Death.”

In “Olive Garden,” Babcock’s dark humour shines as he recalls a failed romantic encounter, but I can’t for the life of me get over the excessive, whiny vocal style. “Hunger For Death” confronts self-destructive tendencies head-on. “Get Dumber,” featuring Jeff Rosenstock, injects a burst of chaotic energy, reminiscent of PUP’s earlier work, while “Concrete” delivers a cathartic punch with its brash instrumentation.

The riffs are heavy on “Hallways,” the lead single, which encapsulates the album’s themes of loss and introspection, highlighting the overdramatic thoughts that can arise during dark moments, which the band acknowledges with a touch of humour, quite similar to how they did on Morbid Stuff. We also get the brutal line “I’m losing the will to keep dragging on / But I can’t die yеt ’cause who will look after the dog?”

Overall, Who Will Look After the Dogs? showcases PUP’s commitment to authenticity, embracing imperfections and emotional vulnerability.

Latest 360 Content

Trio Helios and the aesthetics of ugliness

Trio Helios and the aesthetics of ugliness

Festival du Monde Arabe 2026 | MaqaMorphose, or the dream of an oriental chamber music

Festival du Monde Arabe 2026 | MaqaMorphose, or the dream of an oriental chamber music

Guillaume Côté bewitches the Grands Ballets and the Montreal audience

Guillaume Côté bewitches the Grands Ballets and the Montreal audience

They Are Gutting a Body of Water – KOOL FAITH / LOOSIES II

They Are Gutting a Body of Water – KOOL FAITH / LOOSIES II

FMA 2026 | Amin Reihani: Making Music a Language of Peace

FMA 2026 | Amin Reihani: Making Music a Language of Peace

The Brooks – Live in Brazil

The Brooks – Live in Brazil

Meagan Milatz – Innig

Meagan Milatz – Innig

My Fierce Ignorant Step at Danse Danse: the seduction of emptiness  

My Fierce Ignorant Step at Danse Danse: the seduction of emptiness  

Can You Hear the Birds ? The art of the trio according to Gentiane MG

Can You Hear the Birds ? The art of the trio according to Gentiane MG

Damian Nisenson – Lento

Damian Nisenson – Lento

Kaoru Watanabe – The Arch

Kaoru Watanabe – The Arch

Molinari-Mondrian: an excellent meeting of eyes, ears, Quebec, and the Netherlands

Molinari-Mondrian: an excellent meeting of eyes, ears, Quebec, and the Netherlands

Judith Fliedl, invited by Le Vivier: I love producing sounds that are not “normal.”

Judith Fliedl, invited by Le Vivier: I love producing sounds that are not “normal.”

Charlotte Greve – Waterbodies

Charlotte Greve – Waterbodies

Ernesto Cervini Quartet – Water Pistols at Dawn

Ernesto Cervini Quartet – Water Pistols at Dawn

Sophianne Girard – Si vivante

Sophianne Girard – Si vivante

Tara Davidson’s Marni Project – The Reflection of an Echo

Tara Davidson’s Marni Project – The Reflection of an Echo

Susan Fancher/Ināra Zandmane – Strange Lights

Susan Fancher/Ināra Zandmane – Strange Lights

Guillaume Côté’s A Midsummer Night’s Dreams: the choreographer talks about his intimate relationship with music

Guillaume Côté’s A Midsummer Night’s Dreams: the choreographer talks about his intimate relationship with music

SQMC/Chapelle Historique du Bon Pasteur: Discovering Quebec’s contemporary music

SQMC/Chapelle Historique du Bon Pasteur: Discovering Quebec’s contemporary music

Akousma| Felix Deufel introduces us to the uncharted sonic richness of the Arctic

Akousma| Felix Deufel introduces us to the uncharted sonic richness of the Arctic

Akousma | Les Artefacts sonores de Roxanne Turcotte

Akousma | Les Artefacts sonores de Roxanne Turcotte

Akousma | The Audréanne Filion and Myriam Bleau Duo: Where Reality and the Virtual Merge

Akousma | The Audréanne Filion and Myriam Bleau Duo: Where Reality and the Virtual Merge

Akousma | Exzald S, la violence du calme

Akousma | Exzald S, la violence du calme

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers