From Montreal, Sophia Bel launches a second Princess of the Dead EP, in which she expresses herself in English and French. Before the young singer and beatmaker got together with the Bonsound label, her Vol. 1 had already accumulated 600,000 listens on Spotify since April 2019. It’s still far too early to compare this unexpected impact to that of Grimes, but these signs don’t lie: Bel’s power of attraction is clearly demonstrable. These pop songs are tinkered with by a young artist with obvious talent, the forms are respected, the assemblages of styles vary from rock to breakbeat through drum & bass and trip-hop but, roughly speaking, it’s clearly indie pop on the vocal and catchiness side. The artists CRi and Félix Bélisle (Choses Sauvages) also had a hand in the mix, which shows the present and future interest in Sophia Bel! Rather generic for now? Yes, but nevertheless promising. What happens next will be crucial.
Latest 360 Content
Concert review Classical/classique
Classica 2026 – Too hot and humid for Schubert, and the instruments
By Frédéric Cardin
Interview classique/jeunesse
Jeunesses Musicales Canada 2026-2027: Mission, Music for Everyone
By Frédéric Cardin
Album review Classical/classique 2026
Quatuor Voxpopuli – Novák, Schulhoff, Liatochynskyï
By Frédéric Cardin
Interview Jazz
Montreal Chamber Music Festival 2026 | Jens Lindemann, former Canadian Brass, is going Big for Sinatra, Ellington and Gershwin with Montreal Band
By Frédéric Cardin
Interview classique/Jazz
FMCM 2026 | Yoanna Prodanova Returns to One of Her Former Homes
By Alain Brunet
Interview Jazz
Life is a fragrance: conclusion of the Trilogy of Scents by Jacques Kuba Seguin
By Frédéric Cardin
Interview Jazz
L’Entracte Cabaret Jazz: A brand new 100% Jazz Club opens its doors in Montreal
By Frédéric Cardin
Interview Pop
Classica 2026 | Supertramp Symphonic: ALL the British Band’s Classics Performed
By Ariel Rutherford
Interview classique/Classical
FMCM 2026 | Cameron Crozman: Chamber Music Straight to the Heart
By Pietro Freiburger
Concert review Electronic
SAT – Futurs Antérieurs | “Lueurs quantiques”, a Suspended Space of Perception
By Félicité Couëlle-Brunet
Concert review
SAT – Futurs Antérieurs | Jacques Greene & Martyn Bootyspon, in The Post-Club Tradition
By Félicité Couëlle-Brunet
Album review classic rock/Americana/Rock 2026
Paul McCartney – The Boys of Dungeon Lane
By Stephan Boissonneault
Concert review Classical/classique
Caprice & Art Choral | Three Eras Overlap and Culminate in the Magnificat
By Alain Brunet
Album review Classical/classique/latino 2026
Juan Sebastian Delgado – Tangos imaginarios
By Frédéric Cardin
Interview Classical/classique
Montreal Chamber Music Festival 2026 | All Bach’s Sonatas and Partitas at lunchtime with Sirena Huang
By Frédéric Cardin
Interview Eastern European
Classica 2026 | Jorane & Oktopus, “Rêvances sans paroles”… and the words of Gabriel Paquin Buki
By Ariel Rutherford
Interview Classical/classique























