From Montreal, Sophia Bel launches a second Princess of the Dead EP, in which she expresses herself in English and French. Before the young singer and beatmaker got together with the Bonsound label, her Vol. 1 had already accumulated 600,000 listens on Spotify since April 2019. It’s still far too early to compare this unexpected impact to that of Grimes, but these signs don’t lie: Bel’s power of attraction is clearly demonstrable. These pop songs are tinkered with by a young artist with obvious talent, the forms are respected, the assemblages of styles vary from rock to breakbeat through drum & bass and trip-hop but, roughly speaking, it’s clearly indie pop on the vocal and catchiness side. The artists CRi and Félix Bélisle (Choses Sauvages) also had a hand in the mix, which shows the present and future interest in Sophia Bel! Rather generic for now? Yes, but nevertheless promising. What happens next will be crucial.
Latest 360 Content
Interview classique/Musiques du Monde
Festival du Monde Arabe 2026 | MaqaMorphose, or the dream of an oriental chamber music
By Frédéric Cardin
Concert review Electronic/Classical/classique
Guillaume Côté bewitches the Grands Ballets and the Montreal audience
By Frédéric Cardin
Album review Rock/Pop 2026
They Are Gutting a Body of Water – KOOL FAITH / LOOSIES II
By Stephan Boissonneault
Interview classique/Moyen-Orient / Levant / Maghreb
FMA 2026 | Amin Reihani: Making Music a Language of Peace
By Sandra Gasana
Concert review Électro
My Fierce Ignorant Step at Danse Danse: the seduction of emptiness
By Frédéric Cardin
Interview Jazz
Can You Hear the Birds ? The art of the trio according to Gentiane MG
By Alain Brunet
Album review Electronic/Classical/classique/Musiques du Monde 2026
Kaoru Watanabe – The Arch
By Frédéric Cardin
Concert review Classical/classique
Molinari-Mondrian: an excellent meeting of eyes, ears, Quebec, and the Netherlands
By Frédéric Cardin
Interview expérimental / contemporain/Classical/classique
Judith Fliedl, invited by Le Vivier: I love producing sounds that are not “normal.”
By Frédéric Cardin
Album review Classical/classique 2026
Susan Fancher/Ināra Zandmane – Strange Lights
By Frédéric Cardin
Interview Classical/classique
Guillaume Côté’s A Midsummer Night’s Dreams: the choreographer talks about his intimate relationship with music
By Frédéric Cardin
Concert review classique/Classical
SQMC/Chapelle Historique du Bon Pasteur: Discovering Quebec’s contemporary music
By Pietro Freiburger
Interview
Akousma| Felix Deufel introduces us to the uncharted sonic richness of the Arctic
By Michel Rondeau
Interview Classical/classique/Electronic
Akousma | Les Artefacts sonores de Roxanne Turcotte
By Alexandre Villemaire
Interview Electronic/expérimental / contemporain
Akousma | The Audréanne Filion and Myriam Bleau Duo: Where Reality and the Virtual Merge
By Michel Rondeau
Interview Electronic/expérimental / contemporain























