Over the decade, Californian Chelsea Wolfe has made a series of brilliant recordings: The Grime and the Glow (2010), Apokalypsis (2011), Pain Is Beauty (2013), Abyss (2015), Hiss Spun (2017), and Birth of Violence (2019). The 2013 release serves as a perfect illustration of the great beauty generated by pain and confusion: the soloist’s nuanced and powerful voice, the marked contrasts between celestial melodies and hellish harmonies, between delicate percussions and violent hammering, between folk and hardcore, between instrumental and digital. Chelsea Wolfe’s work is marked by hybridizations magnificent despite their apparent strangeness, eluding any direct comparisons.
Latest 360 Content
Concert review Classical/classique
Pinnacle of Modern Choral Music at the Azrieli Music Prizes
By Alain Brunet
Interview classique/Classical
OSL | Antoine Bareil Plays Mendelssohn’s Famous Violin Concerto
By Alexandre Villemaire
Concert review Hip Hop/Moyen-Orient / Levant / Maghreb/rap
Arab World Festival of Montreal | Narcy and Omar Offendum: Two Decades of Friendship in Artistry
By Sandra Gasana
Interview Electronic/Classical/classique
Örjan Sandred and the Stenhammar Quartet Reinvent Live Electronics
By Alexandre Villemaire
Album review Classical/classique 2024
James Ehnes/Orchestre philharmonique de Bergen, dir.: Edward Gardner – Sibelius : Violin Concerto, Serenades, Humoresques
By Frédéric Cardin
Album review Modern music 2024
India Gailey – Butterfly Lightning Shakes the Earth
By Frédéric Cardin
Album review Western European/Jazz/Eastern European/Modern music/Traditional 2024
Calgaréal – Vanishing Points
By Frédéric Cardin
Concert review Classical/classique
Violons du Roy | Richness and Vocal Splendor of the Divine Handel
By Mona Boulay
Interview expérimental / contemporain/Classical/classique
Le Vivier | Flashback: Immersive Exploration of the Narcissus Myth for Violin and Electronics
By Alain Brunet
Interview
Arab World Festival of Montreal | New Diva Uprooted From Her Native Palestine
By Alain Brunet
Concert review
Quatuor Molinari | Guido Molinari’s Major Inspiration, 20 Years After His Death
By Alain Brunet
Concert review expérimental / contemporain/Pop/Rock
I can’t stop thinking about the Xiu Xiu show in Montreal
By Vanessa Barron
Interview Hip Hop/Moyen-Orient / Levant / Maghreb
Arab World Festival of Montreal | Narcy and Hakawati Omar Offendum meet in the present tense
By Sandra Gasana
Album review Modern music 2024