The album Nocturne: A Fauré Recital, by Quebec pianist Louis Lortie, follows Après un rêve, released in 2016, and is the continuation of a series entirely dedicated to the music of Gabriel Fauré (1845-1924). On this album, Lortie visits two of the composer’s major works. First, the Ballade Op. 19 for solo piano (1879) which, despite its charming and pacific character, is endowed with a complexity that Liszt himself felt the need to emphasize. The album also includes the Theme and Variations Op. 73 (1895), which for its part is evocative of Schumann’s Symphonic Etudes. These works are accompanied by a selection of nocturnes and barcarolles. In prelude and postlude, Lortie presents his own arrangements of two movements of the Requiem Op. 48, Pie Jesu and In Paradisium. Lortie’s interpretation is imbued with clarity and, at times, an introspective atmosphere. The same applies to his arrangements, which highlight Fauré’s melodies while respecting their original character.
Latest 360 Content
Interview Classical/classique
Trio Garibaldi: The Album In Faded Sepia | Viola, Piano, and Clarinet in Service of New Creation
By Alain Brunet
Concert review expérimental / contemporain/Experimental / Contemporary
Semaine du Neuf | Nous perçons les oreilles: Surrendering Body and Mind to the Music
By Alexandre Villemaire
Interview expérimental / contemporain
5ilience | Devinim, When Sounds Move Through The Reeds
By Jeremy Fortin
Interview Africa/Caribbean
Caribbean Love: Richy Jay, Between Heritage and Tropical Rhythms
By Sandra Gasana
Concert review musique de film
The magic of Miyazaki comes to life with the FILMharmonic Orchestra
By Frédéric Cardin
Interview Classical/classique
Caprice au 9e | Telemann and The Traveling Musicians of the Baroque Era
By Alain Brunet
Column
Airat Ichmouratov will compose Alice in Wonderland for Montreal’s Grands Ballets canadiens
By Frédéric Cardin
Concert review expérimental / contemporain/Multidisciplinaire
Semaine du Neuf | Lovemusic: A Clash of Bodies and Sounds
By Jeremy Fortin
Album review Electronic/Pop/Classical/classique/Jazz 2026
The Setting – The Setting
By Stephan Boissonneault
Concert review Pop/musique de film/pop symphonique
Symphonic Tribute to Daft Punk: Effective Fusion, Mostly
By Frédéric Cardin
Interview Blues/Americana/classic rock/Rock/southern rock/southern soul
The Sheepdogs, or How to Become a Classic “Outside the Storm”
By Alain Brunet
Interview Classical/classique/Experimental / Contemporary/expérimental / contemporain
Semaine du Neuf | Collective Improv Night with No Hay Banda, Ana Maria Romano, and Limules
By Frédéric Cardin
Concert review Classical/classique
Arion Baroque Orchestra: Il pianto di Maria: Tears of Joy
By Alexandre Villemaire
Concert review Experimental/jeunesse
Semaine du Neuf | Sound understanding for children under 3 years… and us
By Vitta Morales
Concert review expérimental / contemporain/Indigenous peoples























