Africa / Afrobeats / Afropop / Hip Hop / Instrumental Hip Hop / jazz groove / Soul/R&B

Osheaga 2025 | Amaarae, Ghana/USA Universal

by Alain Brunet

Amaarae, or Ama Serwah Genfi if you prefer her real name, was my revelation at Sunday’s Osheaga festival. This Ghanaian-American artist brings together two continents, proving to be more North American than African without neglecting the second part of her identity.

She takes to the stage with a hybrid, distinctive look. Her black jumpsuit is fastened at the center of her chest with a zipper that extends to her throat. She wears a black cap that sometimes gives her a stern appearance. And, to blur the lines, she wears a pair of silver stiletto boots.

She can adopt a thin, cuddly, high-pitched voice, and she can also change her tone (and pitch) to command respect. Once again, this way of expressing herself exploits the contrast between femininity and masculinity combined in one person. And it’s impressive because we still have few Afro-descendant pop role models to express these multiple identities.

Her double EP released in 2024, roses are red, tears are blue / A Fountain Baby, is a true revelation. Coming from Ghana and therefore from West Africa with its Anglo-colonial culture, she could have been labeled as Afrobeats, or expected to deliver a bit of Ghanaian highlife, but that wasn’t exactly the case. Several of her songs can be associated with it, but the concert presented on the Forêt stage gives it little space. Amaarae embodies a composite, androgynous, global culture. Influences from electro, instrumental hip-hop, new soul, muscular pop-rock, and even jazz-groove are among Amaarae’s colors. And when the Afrobeats kick in, they don’t have the relaxed feel of Nigerian productions; they are more assertive. What’s more, the arrangements don’t shy away from dramatic bursts and crescendos. Truly powerful!

So let’s avoid comparing this artist to her African colleagues Yemi Alade, Ayra Starr, Burna Boy, Tiwa Savage, and others.

It’s danceable from start to finish, sure, the grooves are irresistible, sure, and it’s different from anything I’ve heard in African pop to date. Amaarae will set a precedent, I dare say.

Latest 360 Content

OperaM3F | When a jazz quartet meets versatile voices

OperaM3F | When a jazz quartet meets versatile voices

Geneviève Bilodeau – Rendre Grâce

Geneviève Bilodeau – Rendre Grâce

Valérie Lacombe: From Classical Violin to Jazz Drums

Valérie Lacombe: From Classical Violin to Jazz Drums

UdeM – Ultrasound | Florence Dubé, Allison Chidiac, Alexandre Hamel, Alexandre Vaillant, Florence Lafontaine, Olivier Martin-Fréchette, Charles Anthony Raymond-Plante, Jacob Boucher, Rafaël Bouthillette, Félix Gervais-Richard

UdeM – Ultrasound | Florence Dubé, Allison Chidiac, Alexandre Hamel, Alexandre Vaillant, Florence Lafontaine, Olivier Martin-Fréchette, Charles Anthony Raymond-Plante, Jacob Boucher, Rafaël Bouthillette, Félix Gervais-Richard

UdeM – Ultrasound | Aurélie Théroux Sénécale, Maurice du Berger, Zao Dinel, Platon Beliaevskin, Ziryab El Hihi, Ac Riznar, Alex Ronald Brisson, Matisse Charbonneau, Jaden Brown

UdeM – Ultrasound | Aurélie Théroux Sénécale, Maurice du Berger, Zao Dinel, Platon Beliaevskin, Ziryab El Hihi, Ac Riznar, Alex Ronald Brisson, Matisse Charbonneau, Jaden Brown

Nuits d’Afrique Productions | Zalam Kao, Grand Prize Winner of the Syli d’Or

Nuits d’Afrique Productions | Zalam Kao, Grand Prize Winner of the Syli d’Or

Codes d’Accès, Constellations corporelles | “Crowdwork” by Alexis Blais, for Violins, Viola, and Loudspeakers

Codes d’Accès, Constellations corporelles | “Crowdwork” by Alexis Blais, for Violins, Viola, and Loudspeakers

My New Band Believe – My New Band Believe

My New Band Believe – My New Band Believe

Anna Calvi – Is This All There Is – EP

Anna Calvi – Is This All There Is – EP

Courtney Barnett – Creature of Habit

Courtney Barnett – Creature of Habit

Codes d’accès, Constellations corporelles | “Assembly Line Apparitions” by Nicholas Ma

Codes d’accès, Constellations corporelles | “Assembly Line Apparitions” by Nicholas Ma

Krooked Kings, catchy human experience

Krooked Kings, catchy human experience

High Klassified & Zach Zoya Reunite: Misstape II

High Klassified & Zach Zoya Reunite: Misstape II

Ping Pong Go – Smash Combat

Ping Pong Go – Smash Combat

Holy Fuck – Event Beat

Holy Fuck – Event Beat

A Place To Bury Strangers – Rare and Deadly

A Place To Bury Strangers – Rare and Deadly

Ping Pong Go – Smash Combat

Ping Pong Go – Smash Combat

Finale Sylis d’or 2026: we present to you Zalam Kao

Finale Sylis d’or 2026: we present to you Zalam Kao

Finale Sylis d’or 2026: we present to you Tamboréal Samba Bloco

Finale Sylis d’or 2026: we present to you Tamboréal Samba Bloco

Population II – Gimmicks – EP

Population II – Gimmicks – EP

Lamia Yared: Between the Minho, Euphrates, eras and traditions

Lamia Yared: Between the Minho, Euphrates, eras and traditions

The Rich and Winding Journey of Irem Bekter

The Rich and Winding Journey of Irem Bekter

Le Vent du Nord is Coming Home… and To the Théâtre Outremont

Le Vent du Nord is Coming Home… and To the Théâtre Outremont

João Lenhari – The Last Minute

João Lenhari – The Last Minute

Subscribe to our newsletter