Pianist, songwriter, singer, lyricist, a genuine star among fans of indie pop and neoclassical music, Agnès Obel launches a fourth album… without interest? Among the pioneers of this sub-genre currently at its peak, a quick listen to Myopia leaves the sad impression of the Danish artist having walked around the garden. The lyrics deal with the themes of trust and doubt. And then? We’re trying to be generous here, but… Except for a few inspired moments (the album’s title track, in particular), we’re largely left with the same melodies served previously, the same inflections, the same arrangements for piano and strings, the same harmonic progressions, the same rhythmic figures, the same post-minimalist motifs and other touches commonly used in film scores. Certainly convivial, certainly harmonious, certainly seductive at first blush, this style plied by Agnès Obel et al. has conquered crowds over the last decade, no need to namecheck the cohort of composers and performers mobilizing vast audiences to this day. Great for them, but… It needs to be said that this indie-pop chamber music is gradually losing its freshness. Diminishing in their returns, the compositional processes that support it cannot be maintained ad infinitum. Will Agnès Obel be an exception to this rapid obsolescence?
Latest 360 Content
Interview Classical/classique
Information: Montreal Oct. 1970 by Tim Brady: a first opera about the October ’70 Crisis
By Frédéric Cardin
Album review Electronic/Hip Hop/hyperpop 2024
Single of the Day: Kaya Hoax ft. Magi Merlin “Hot Girls with ADD”
By Stephan Boissonneault
Album review Americana/Pop
Taylor Swift – The Tortured Poet Department: The Anthology
By Alain Brunet
Album review classique/musique traditionnelle/Classical/trad québécois 2024
Karina Gauvin – Marie Hubert : Fille du Roy
By Frédéric Cardin
Interview Folk/Americana/Rock/hyperpop
P’tit Belliveau Talks About His New Album, Frogs, and Income Tax
By Stephan Boissonneault
Interview Rock/Electronic/Experimental / Contemporary/expérimental / contemporain/Pop
At Annie-Claude Deschênes’ table: between utensils & sound experimentation
By Louise Jaunet
Concert review
Université de Montréal | Jean-François Rivest’s Grandiose Farewell
By Elena Mandolini
Interview classique/Jazz/Classical
OSL | Naomi Woo | Musique du Nouveau Monde
By Alexandre Villemaire
Album review classique/Jazz 2024
Nadia Labrie – Flute Passion – Claude Bolling : Suite for Flute and Jazz Piano Trio
By Frédéric Cardin
Album review Classical/classique 2024
David Jalbert – Prokofiev : Piano Sonatas vol. II
By Frédéric Cardin
Interview Rock/Electronic/Pop/Jazz