A free improv session featuring American musician Michael Moore, long established in the Netherlands, with a pure timbre on clarinet and alto sax, Spanish saxophonist Albert Cirrera with a more noisy and textured sound, Italy’s Marco Colonna and Silvia Bolognesi on clarinets and double bass respectively, and Slovenia’s Zlatko Kaucic on discreet percussion, during a concert at the Contemporary Music Festival in Brda, Slovenia, in September 2018. In the acoustic space of a church, the five instrumentalists sketch out sparse but inventive pieces with all due restraint, and paint a dozen delicate miniatures of varying density. One almost has the impression of sailing through the clouds, the vaporous calm with its play of light and shadow and its fraying curls sometimes giving way to brief turbulence, and just like the crowd gathered in this church, one listens with bated breath.
Latest 360 Content
Interview expérimental / contemporain/Classical/classique
M/NM | Mystery of Clock: In search of lost time
By Frédéric Cardin
Concert review classique/Classical/Jazz/musique du monde/Traditional
28th Opus Awards Gala | 32 Trophies For The Concert Ecosystem
By Judith Hamel
Interview Classical/classique/expérimental / contemporain/Musique de création
M/NM | Mystère de l’horloge: A musical, theatrical and symbolist dive into the heart of life
By Frédéric Cardin
What to watch classique/expérimental / contemporain/Jazz/musique du monde/Musique traditionnelle
Watch the 28th Opus Awards Gala live, 3 p.m., Sunday, February 2
By Rédaction PAN M 360
Concert review Classical/classique
OSL Winter Classical Festival | Friendly Baroque Journey
By Hélène Archambault
Interview expérimental / contemporain
28th Prix Opus / Michel Levasseur, Prix Hommage, Looks Back on His Life’s Work: FIMAV
By Alain Brunet
Interview classique/Jazz/Musiques du Monde/Africa/trad québécois
28th Prix Opus / The Executive Director of The Conseil québécois de la musique Explains
By Alain Brunet
Interview classique/Classical/Jazz/musique du monde/Musique traditionnelle
28th Opus Awards / Awards Coordinator Gives Us a Tutorial!
By Alain Brunet
Interview classique
The OSL Winter Classical Festival: Harmonie Laval and the OSL Celebrate Common Roots
By Alexandre Villemaire
Interview Musical Theatre/classique/Classical
Opera McGill | The Light at the Piazza: Maestro Jonathan Monro Sheds Light on The Musical
By Alexandre Villemaire
Interview Classical/classique
The OSL Winter Classical Festival: Baroque-Style with Mathieu Lussier
By Alexandre Villemaire
Interview période moderne/Classical/classique
The OSL Winter Classical Festival: Mosaïque nordique directed by Jean-Marie Zeitouni
By Alain Brunet
Interview classique
The OSL Winter Classic Festival: The Program as Told by Simon Ouellette
By Alexandre Villemaire
Album review Folk/Americana/Chanson francophone/Pop 2025
Laura Cahen – De l’autre côté
By Alain Brunet
Album review chanson keb franco/Folk/Americana/Pop/Rock 2025
Lou-Adriane Cassidy – Journal d’un Loup-Garou
By Arielle Desgroseillers-Taillon
Concert review
Marlaena Moore soars during her Because You Love Everything release
By Stephan Boissonneault
Interview expérimental / contemporain
Montréal / Nouvelles Musiques : Ruben Zahra and Kafka’s Insect: Metamorphosis in music/video immersion
By Alain Brunet
Concert review Classical/classique