Country : Canada Label : Profound Lore Genres and styles : Black Metal / Death Metal / death metal progressif / metal d’avant-garde Year : 2024

Mitochondrion – Vitriseptome

· by Laurent Bellemare

In 13 years, anyone who was impressed by Parasignosis (2011) back in the day may have forgotten that in the shadows, Vancouver’s occult Mitochondrion was preparing a new assault. Lasting almost an hour and a half, Vitriseptome is sinister, enigmatic and reiterates the virtues of patience.

An album as ambitious as Vitriseptome really does take a decade to conceive. Beyond the heavy, crunchy riffs a la Morbid Angel, the extreme dissonance of certain passages and the oppressive darkness that pervades all the music, there’s an innumerable amount of detail that will inevitably escape the listener, but which nevertheless will stand out and make all the difference. For Mitochondrion, throwing up more material and rehashing their familiar stylistic elements wasn’t going to be enough to justify making a new album. They had to go further and make the listening experience even more subversive, selective even. But if you dare to get your feet wet, there’s every reason to believe that Vitriseptome is the band’s definitive magnum opus, a contribution that will be hard to surpass in the future. 


Beyond dense, angular structures and rapid succession of riffs, there is a multitude of guitar layers, creating an opaque texture that one can masochistically enjoy deciphering. The vocals, shared and varied by three band members, are as technical as they are expressive in their incantatory delivery. Also worth noting are the occasional synthesizers and the sound design, which is mostly appreciated in the introductions, interludes and quieter passages. Yes, there are moments of calm, more introspective, which allow the tension to be lowered, only for it to escalate even further later. These passages often evolve into more doom-metal sections that almost sound ritualistic when set to music. The intention behind such evocations is obvious.


We can conclude that Vitriseptome fully justifies its length, as the attention required is matched only by the time and energy that went into sculpting this album. It’s a contribution that demonstrates the maturity of a band that has assimilated an ultra-niche aesthetic to the point of innovating within self-imposed parameters. A descent into the underworld that will appeal to the most tenacious and proud fans of difficult music and of the unusual.

Latest 360 Content

Classica 2026 | Michel Legrand, Opera, Symphony, Jazz… Lorraine Desmarais Tells All!

Classica 2026 | Michel Legrand, Opera, Symphony, Jazz… Lorraine Desmarais Tells All!

The Musical Rebirth of Mantisse

The Musical Rebirth of Mantisse

CMIM 2026 | Japan Triumphs with Russian and Hungarian Music!

CMIM 2026 | Japan Triumphs with Russian and Hungarian Music!

SAT | Johnny Jewel back in MTL for a live set of his vast and impressive work

SAT | Johnny Jewel back in MTL for a live set of his vast and impressive work

Kon-Fusion – Arriba de su Muro

Kon-Fusion – Arriba de su Muro

Domaine Forget 2026 | A Full Summer in The Musical Paradise of Charlevoix

Domaine Forget 2026 | A Full Summer in The Musical Paradise of Charlevoix

With Yatou, Noubi Brings Together Voices From Around the World

With Yatou, Noubi Brings Together Voices From Around the World

SAT | PAURRO, Mexican sauces for Breakbeats, Latin music, Hard grooves, techno, 90’s and More

SAT | PAURRO, Mexican sauces for Breakbeats, Latin music, Hard grooves, techno, 90’s and More

SAT | Matias Aguayo, Dancing As A Form of Resistance and Collective Survival

SAT | Matias Aguayo, Dancing As A Form of Resistance and Collective Survival

The 31st Montreal Chamber Music Festival: A Global Community by Denis Brott

The 31st Montreal Chamber Music Festival: A Global Community by Denis Brott

Classica 2026 | Karina Gauvin is deeply moved by Strauss’s Four Last Songs

Classica 2026 | Karina Gauvin is deeply moved by Strauss’s Four Last Songs

Boards of Canada – Inferno

Boards of Canada – Inferno

Des violons sous nos toits : The 2026 Edition of the Montreal International Music Competition, as Told by Its Executive Director

Des violons sous nos toits : The 2026 Edition of the Montreal International Music Competition, as Told by Its Executive Director

The Next Generation Takes the Stage: Ana Drobac Talks About Her Experience as a Member of the Young Artists’ Jury at the Montreal International Music Competition

The Next Generation Takes the Stage: Ana Drobac Talks About Her Experience as a Member of the Young Artists’ Jury at the Montreal International Music Competition

Quatuor Molinari | The Shostakovich Complete Works: From Challenge to Pure Joy

Quatuor Molinari | The Shostakovich Complete Works: From Challenge to Pure Joy

A lively Vivaldi with the Orchestre classique de Montréal and the Petits chanteurs du Mont-Royal

A lively Vivaldi with the Orchestre classique de Montréal and the Petits chanteurs du Mont-Royal

Nuits d’Afrique: The Legacy of a Festival That Has Become a Must-See Event

Nuits d’Afrique: The Legacy of a Festival That Has Become a Must-See Event

Duo BoMi – Du Liban au Kurdistan

Duo BoMi – Du Liban au Kurdistan

Duo BoMi: The classical music of Lebanon and Kurdistan takes root in Quebec

Duo BoMi: The classical music of Lebanon and Kurdistan takes root in Quebec

Classica 2026 | A Brandenburg Evening with Caprice

Classica 2026 | A Brandenburg Evening with Caprice

Abdel Grooz Brings Mozaïk to A Spectacular Close

Abdel Grooz Brings Mozaïk to A Spectacular Close

The Lake : Swan song for a Fairy Tale

The Lake : Swan song for a Fairy Tale

Classica 2026 | Klezmer music in the church!

Classica 2026 | Klezmer music in the church!

Aldous Harding – Train on the Island

Aldous Harding – Train on the Island

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers