Country : United States Label : Timesig Genres and styles : Breakbeat / Electronic / Hardcore / IDM Year : 2020

Maya

· by Philippe Navarro

Creativity is one thing; Brad Paisley writes good songs. Unbridled musical imagination, like a Naked Lunch in notes, is another. John Frusciante has practiced both, with Red Hot Chili Peppers and solo. Letur-Lefr (2009) explained why he had to leave his “mainstream act”, which appears quite mundane in comparison. Maya is in another category, that of the referential exercise, which Frusciante practises under the alias Trickfinger.

It’s easy to overlook the fact that Frusciante is only 50 years old. A true generational guitar talent, he started out in RHCP as a teenager, going straight from his bedroom to the arenas. We suspect he wasn’t listening to Use Your Illusion when he was 20. Maya is a forceful homage to the breakbeat scene of the early ’90s: Aphex Twin and The Prodigy, with echoes of Roni Size, DJ Krust, Chemical Brothers, and The Crystal Method.

Frusciante applies his talents as a sonic sculptor to Maya. On Stadium Arcadium (2006), he refined his technique of signal processing (his guitars, in this case) through modular synthesizers. The mix is relatively bare, cold and cerebral, singularly devoid of groove. The instrumentation (including what were once guitars) is at points magnified, at others distant, a technique prized by Frusciante and borrowed from George Clinton. Minimoog bass à la John Carpenter and ’70s-style “random notes” are combined with the latest sampling and digital saturation techniques.  Sonic references from the ’80s (polyphonic synths with triangular waves and arpeggiators) and the oughts (vocal samples, Moby style, with a strong use of ring modulators) are used.Maya exudes retrofuturism; where a lesser mind would have made a pastiche, Frusciante offers us a glimpse of how this repertoire will be revisited in ten years.  

Latest 360 Content

PAN M 360 at Nuits d’Afrique – Luiz Salgado and his “caipira” guitar

PAN M 360 at Nuits d’Afrique – Luiz Salgado and his “caipira” guitar

PAN M 360 at Nuits d’Afrique 2024 | Bombino: human warmth with the beat of the desert

PAN M 360 at Nuits d’Afrique 2024 | Bombino: human warmth with the beat of the desert

PAN M 360 at Nuits d’Afrique 2024 – Def Mama Def, Two Sisters in Art  

PAN M 360 at Nuits d’Afrique 2024 – Def Mama Def, Two Sisters in Art  

PANM360 at Nuits d’Afrique | Alberto Salgado Turns Balattou Into a Percussive Laboratory

PANM360 at Nuits d’Afrique | Alberto Salgado Turns Balattou Into a Percussive Laboratory

Domaine Forget 2024 | Cape Verdean breezes in Charlevoix with Lucibela

Domaine Forget 2024 | Cape Verdean breezes in Charlevoix with Lucibela

Nuits d’Afrique 2024 – Kirá Was On Fire At Balattou

Nuits d’Afrique 2024 – Kirá Was On Fire At Balattou

Lyric Opera of Kansas City/Gerard Schwarz – Paul Moravec : The Shining

Lyric Opera of Kansas City/Gerard Schwarz – Paul Moravec : The Shining

James Ehnes/St.Louis Symphony Orchestra/Stéphane Denève – Bernstein : Serenade / Williams : Violin Concerto no 1

James Ehnes/St.Louis Symphony Orchestra/Stéphane Denève – Bernstein : Serenade / Williams : Violin Concerto no 1

Nuits d’Afrique 2024 | ALBERTO SALGADO: Embracing Brazilian Traditions and Modernity 

Nuits d’Afrique 2024 | ALBERTO SALGADO: Embracing Brazilian Traditions and Modernity 

Truck Violence Burns It Down and Starts Again

Truck Violence Burns It Down and Starts Again

Karma Glider, The Wesleys, and Sun Entire Bring the Sunshine at Quai Des Brumes

Karma Glider, The Wesleys, and Sun Entire Bring the Sunshine at Quai Des Brumes

PAN M 360 aux Nuits d’Afrique 2024 | Plus qu’un “fils de”… voici Kirá!

PAN M 360 aux Nuits d’Afrique 2024 | Plus qu’un “fils de”… voici Kirá!

PAN M 360 At FIJM I The Cinematic Orchestra’s mystifying, live movie world

PAN M 360 At FIJM I The Cinematic Orchestra’s mystifying, live movie world

The Gilsons have won the hearts of Montrealers

The Gilsons have won the hearts of Montrealers

PAN M 360 at FIJM 2024 | George Coleman at Upstairs, the bet of an almost nonagenarian

PAN M 360 at FIJM 2024 | George Coleman at Upstairs, the bet of an almost nonagenarian

PAN M 360 at FIJM 2024 | Makaya McCraven Becomes Headliner

PAN M 360 at FIJM 2024 | Makaya McCraven Becomes Headliner

PAN M 360 AT FIJM 2024 | Fred Hersch, one of the most beloved jazz pianists of our time

PAN M 360 AT FIJM 2024 | Fred Hersch, one of the most beloved jazz pianists of our time

PAN M 360 at FIJM 2024 | Erick the Architect, A Guided Tour of Brooklyn

PAN M 360 at FIJM 2024 | Erick the Architect, A Guided Tour of Brooklyn

PAN M 360 AT FIJM 2024 | Tevet Sela – Sweet Tears

PAN M 360 AT FIJM 2024 | Tevet Sela – Sweet Tears

PAN M 360 AT FIJM 2024 | Fred Hersch – Silent, Listening

PAN M 360 AT FIJM 2024 | Fred Hersch – Silent, Listening

PAN M 360 at FIJM 2024 | Dominique Poirier, to be followed closely

PAN M 360 at FIJM 2024 | Dominique Poirier, to be followed closely

PAN M 360 AT FIJM | Ana Moura, The Queen of Fado

PAN M 360 AT FIJM | Ana Moura, The Queen of Fado

PAN M 360 At FIJM I Killer Mike Brings His Gospel

PAN M 360 At FIJM I Killer Mike Brings His Gospel

PAN M 360 at FIJM 2024 | Les Moontunes – Elephant Wizard

PAN M 360 at FIJM 2024 | Les Moontunes – Elephant Wizard

Subscribe to our newsletter