Commissioned by the Museum of Contemporary Art Chicago, where it was recorded live, to mark the 50th anniversary of the AACM (Association for the Advancement of Creative Musicians), this Afro-futurist fable evokes a dystopian society on the brink of chaos in 2099. That’s the setting, what we’re interested in is the musical framework that gives it life. And what music! Take Mitchell’s flute, put it in large a pot with violin, cello, banjo, oud, shamisen, shakuachi, electric guitar and bass, theremin and percussion, add a pinch of electronic effects and some spoken-word poetry, and simmer while stirring. You’ll get a consistent and wonderfully kaleidoscopic stew. Be careful not to burn yourself!
Latest 360 Content
Album review expérimental / contemporain/Experimental / Contemporary/Rock 2024
Sleepytime Gorilla Museum – Of The Last Human Being
By Laurent Bellemare
Album review Experimental / Contemporary/expérimental / contemporain/noise 2024
Uboa – Impossible Light
By Laurent Bellemare
Album review expérimental / contemporain/Classical/classique 2024
Quatuor Bozzini/JunctQin – a root or mirror, blossom, madder, cracks; together
By Frédéric Cardin
Concert review
Martyr at FME – Perpetual Death Metal Healing (Infinite Pain)
By Stephan Boissonneault
Album review Soul/R&B/Jazz 2024
Louis Cole, Metropol Orkest & Jules Buckley – Nothing
By Michel Labrecque
Concert review
Erik Fines at FME – Smooth as Tennessee Whiskey but sweet as Canadian Brandy
By Stephan Boissonneault
Concert review classique
Fête de la musique de Tremblant 2024 | The Stars of the Conservatoire shine in the cold
By Frédéric Cardin
Concert review Classical/classique
Fête de la musique de Tremblant 2024 | Mélisande McNabney and the women of Versailles
By Frédéric Cardin
Concert review Caribbean/Soul/R&B/Hip Hop/Reggae
Fête de la musique de Tremblant 2024 | Waahli, Music and Stage master
By Frédéric Cardin
Concert review classique/latino
Fête de la musique de Tremblant 2024 | Piazzolla told in words and music
By Frédéric Cardin
Concert review Jazz