It takes a lot of self-confidence and creativity to design a trilogy of works that’s constant and evolving. With the third and ultimate – at least for the moment – instalment of Man on the Moon, Kid Cudi justifies his fame. Some 11 years have passed since the release of the first chapter of MOTM, which contains the hymns “Pursuit of Happiness” and “Day ’N’ Nite”. There may not be any songs of this calibre on MOTM3, but it is an 18-song epic in which Scott Mescudi delivers heavy lyrics over huge instrumentals. Travis Scott’s influence is evident in his sparing use of Auto-Tune and dynamic improvised passages (yeah!). Cudi does not, however, deny his DNA or trademark, his intoxicating humming, heralding the excellent “Solo Dolo III” and “Tequila Shots”. The Cleveland artist is known for his risk-taking, which has sometimes drawn the wrath of critics. He seems to have learned lessons from the days of Speedin’ Bullet 2 Heaven, that paltry pop-rock album released in 2015. Aside from the clumsy attempt to sample “The House of the Rising Sun” on “Elsie’s Baby Boy (flashback)”, Cudi remains in his safe zone on MOTM3 and we’re happy about that. The guest contributors blend well into the work; Pop Smoke and Skepta add their drill and grime sauce on “Show Out”, while Phoebe Bridgers is natural on “Lovin’ Me”. In mid-December, Kid Cudi releases one of the year’s hip-hop events at the last minute, which any rap fan can enjoy.
Latest 360 Content
Album review Rock/expérimental / contemporain/Instrumental/métal progressif 2024
Hybreed Chaos – Subliminal Abyssal Carnage
By Laurent Bellemare
Album review Experimental / Contemporary/expérimental / contemporain 2024
Senyawa – Vajranala
By Laurent Bellemare
Interview Indigenous peoples
International First Peoples’ Festival 2024: let’s chat about the programming
By Frédéric Cardin
Concert review Africa/latino/Americana
PAN M 360 at Nuits d’Afrique 2024 | Final Evening With a Congolese and Colombian Flavour
By Jacob Langlois-Pelletier
Concert review Africa/Caribbean/Reggae/Soul/R&B
PAN M 360 at Nuits d’Afrique | A Look Back at Rutshelle Guillaume’s Closing Triumph
By Rédaction PAN M 360
Album review Jazz 2024
Domas Žeromskas – Meditations on Providence and Perseverance, Vol.1
By Frédéric Cardin
Album review expérimental / contemporain/Jazz/Spoken Word 2024
Catharine Cary – AIR CAKE and other summery occupations
By Frédéric Cardin
Interview Classical/classique/trad québécois
Festival de Lanaudière 2024 | Tribute to Mémoire et Racines against a backdrop of trad/classical reunion
By Frédéric Cardin
Concert review Africa
PAN M 360 at Nuits d’Afrique – Les Aunties, from Ndjamena to Montreal
By Sandra Gasana
Concert review Africa/Hip Hop
PAN M 360 at Nuits d’Afrique – Fredy Massamba Was Blessed with Some Rain
By Sandra Gasana
Concert review Classical/classique
Festival de Lanaudière 2024 | OSM/Levanon : game saved in the second half
By Frédéric Cardin
Concert review Africa/Indian Ocean/Maghrebi
PAN M 360 at Nuits d’Afrique 2024 | Sofaz Grooves!
By Keithy Antoine
Concert review Africa/Caribbean
PAN M 360 at Nuits d’Afrique 2024 | Birth of a Haitian star
By Keithy Antoine
Concert review Africa/Sacred Music/Hip Hop/Reggae
PAN M 360 at Nuits d’Afrique 2024 | Joyce N’sana On The Rise
By Keithy Antoine
Concert review Africa/Caribbean