LUCAS SANTTANA / O PARAISO

· by Michel Labrecque

The Brazilian Lucas Santtana is digging an increasingly distinctive path in Brazilian popular music. His ninth album, “O Paraiso”, is his first (partly) French album. And possibly his best.

“O Paraiso” (Paradise) is a record of gentle activism, in favor of the environment. “Vamos Ficar na Terra ” (We’ll stay on earth) is a clear message to the Elon Musk of this world. The future is not in space, it is here. The title song, on the other hand, states that the earth can become a paradise, if we all get involved. The song “Biosphere ” – in French – states: “Ne croyez pas en ce progrès qui affirme sa cupidité”.

There are also two songs in English and one in Spanish. And two beautiful covers, “Errare Humanum Est”, by his Brazilian colleague Jorge Ben and “The Fool on the Hill”, of course from The Beatles. In these two cases, they are real rereadings, in the sense that these songs become totally different, without denying the original. “The Fool on the Hill” starts with acoustic guitar, bossa nova chords and gradually turns into percussive jazz with an intense saxophone solo without you noticing.

And this is where we have to talk about France and music. Lucas Santtana has been living in France for a short time. O Paraiso was recorded in Paris, with a majority of French musicians. With, in particular, the wind section of Rémi Sciuto and Sylvain Bardiau, which gives a new color to Santtana’s compositions, without ever putting too much.

Let’s be clear: this album remains a Brazilian and very Santannian record. Lucas has always had a very folk side, staying close to his Brazilian roots. He has sometimes experimented with rock. This ninth album takes his creation a little further, with hyper subtle arrangements, small flights of electro and percussion. And then these horns, which complexify the harmonies.

And his ecologist texts, a little naive? Perhaps. But it is perhaps also of the lucidity.

“O Paraiso” is illuminated, meditative, musically intelligent. Ideal to survive the winter without getting a stupid tan.

Latest 360 Content

FME 2026 I Muhoza Brings Unadulterated Joy

FME 2026 I Muhoza Brings Unadulterated Joy

FME 2026 I BALACLAVA: GOOD EFFECT ON TARGET

FME 2026 I BALACLAVA: GOOD EFFECT ON TARGET

FME 2026 I Corridor, A Psychedelic Indie Rock Ouroboros

FME 2026 I Corridor, A Psychedelic Indie Rock Ouroboros

FME 2026 I Iguana Death Cult Converts the Non-Believers

FME 2026 I Iguana Death Cult Converts the Non-Believers

FME 2026 I Max Baby is an Indie Sleeze Elf

FME 2026 I Max Baby is an Indie Sleeze Elf

FME 2026 | RIZOMAGIC from Bogotá: Tropical Futurism and Cosmic Tuning

FME 2026 | RIZOMAGIC from Bogotá: Tropical Futurism and Cosmic Tuning

FME 2026 I Birds of Prrrey’s Grungey Siren Call

FME 2026 I Birds of Prrrey’s Grungey Siren Call

FME 2026 I Choses Sauvages: Where the Wild Things Are

FME 2026 I Choses Sauvages: Where the Wild Things Are

FME 2026 I Camilla Sparksss Brings the Noise

FME 2026 I Camilla Sparksss Brings the Noise

Jackie Leung – Inside Out : Piano Music by Alvin Singleton

Jackie Leung – Inside Out : Piano Music by Alvin Singleton

FME 2026: Philippe Larocque’s Top Five Acts To See This Year

FME 2026: Philippe Larocque’s Top Five Acts To See This Year

Tönky Hönk – The ËP

Tönky Hönk – The ËP

The Holland Court Jazz Trio – Inverted Tango

The Holland Court Jazz Trio – Inverted Tango

Eldritch Priest – Too, So Like Nothing

Eldritch Priest – Too, So Like Nothing

Raymond Roussel – No One Asked Us Yet

Raymond Roussel – No One Asked Us Yet

Rite of Strings – Dust and the Moon

Rite of Strings – Dust and the Moon

Souk du Sud 2026 | Paul Cargnello: Two Decades of Music and Social Engagement

Souk du Sud 2026 | Paul Cargnello: Two Decades of Music and Social Engagement

Souk du Sud 2026 | Nicolas Lossen: Jazz, Memory, and Heritage in Dialogue

Souk du Sud 2026 | Nicolas Lossen: Jazz, Memory, and Heritage in Dialogue

Souk du Sud 2026 | Emmanuelle Boucher: From “La Voix” to Her Own Path

Souk du Sud 2026 | Emmanuelle Boucher: From “La Voix” to Her Own Path

Souk du Sud 2026 | Borduas: From the Stage to Behind the Scenes of Culture

Souk du Sud 2026 | Borduas: From the Stage to Behind the Scenes of Culture

Jabfung – In Real Life

Jabfung – In Real Life

Stranger Still – We Might Not Tell Everybody This

Stranger Still – We Might Not Tell Everybody This

Souk du Sud 2026 | A Crossroads of Cultures, According to Patrice Agbokou

Souk du Sud 2026 | A Crossroads of Cultures, According to Patrice Agbokou

Alabama Shakes – I Must Be Dreaming

Alabama Shakes – I Must Be Dreaming

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers