Country : Japan Label : Specific Genres and styles : Indie Pop / J-Pop / Poetry / Pop-Punk Year : 2020

Lovetheism

· by Rupert Bottenberg

Yokohama native Haruna Kimishima, aka Haru Nemuri, made waves well beyond the shores of Japan with her 2018 album Haru to Shura, thrilling listeners with her dynamic, emotionally charged combination of Californian pop-punk and idiosyncratic alternative rock, laptop audio collage, precious piano hooks and above all, an approach to voice and lyrics that some have rather awkwardly labeled “poetry rapping”.

Her self-expression in a semi-singsong style is dense and intense, whether she’s confiding details of daily existence in a near-whisper, or issuing full-throated proclamations regarding life’s big questions. Either way, she’s always hurried, anxious to pack as much verbiage as she can into each of these three-minute masterpieces. The subtitled video for the stirring lead single “Riot” affords a peek into what’s on Kimishima’s mind, for non-Japanese speakers (scroll down for further insights by way of her personal manifesto).

Kimishima’s work falls well within the parameters of J-pop – she’s even done work with mainstream idoru act Tokyo Girls’ Style. That said, she’s pushing the envelope of the genre, investing it with a rare degree of originality, awareness, and emotional honesty, though never at the expense of the almost supernatural catchiness that’s the hallmark of Japanese pop.

Latest 360 Content

Karma Glider Talks Collaboration, Comparison, and Crack Cocaine

Karma Glider Talks Collaboration, Comparison, and Crack Cocaine

Lost and Found with John Lost

Lost and Found with John Lost

Doug Wilde – The Sixth Dimension

Doug Wilde – The Sixth Dimension

Amanda Martinez – Recuerdo

Amanda Martinez – Recuerdo

Yoro Ndiaye – Yaay Kan

Yoro Ndiaye – Yaay Kan

Richard Carr – August Light

Richard Carr – August Light

Gabriel Evan Orchestra – Island Hopping

Gabriel Evan Orchestra – Island Hopping

Hybreed Chaos – Subliminal Abyssal Carnage

Hybreed Chaos – Subliminal Abyssal Carnage

Alcest – Les chants de l’Aurore

Alcest – Les chants de l’Aurore

Wormed – Omegon

Wormed – Omegon

International First Peoples’ Festival 2024: let’s chat about the programming

International First Peoples’ Festival 2024: let’s chat about the programming

PAN M 360 at Nuits d’Afrique 2024 | Final Evening With a Congolese and Colombian Flavour

PAN M 360 at Nuits d’Afrique 2024 | Final Evening With a Congolese and Colombian Flavour

PAN M 360 at Nuits d’Afrique | A Look Back at Rutshelle Guillaume’s Closing Triumph

PAN M 360 at Nuits d’Afrique | A Look Back at Rutshelle Guillaume’s Closing Triumph

Domas Žeromskas – Meditations on Providence and Perseverance, Vol.1

Domas Žeromskas – Meditations on Providence and Perseverance, Vol.1

Catharine Cary – AIR CAKE and other summery occupations

Catharine Cary – AIR CAKE and other summery occupations

Festival de Lanaudière 2024 | Tribute to Mémoire et Racines against a backdrop of trad/classical reunion

Festival de Lanaudière 2024 | Tribute to Mémoire et Racines against a backdrop of trad/classical reunion

PAN M 360 at Nuits d’Afrique – Les Aunties, from Ndjamena to Montreal

PAN M 360 at Nuits d’Afrique – Les Aunties, from Ndjamena to Montreal

PAN M 360 at Nuits d’Afrique – Fredy Massamba Was Blessed with Some Rain

PAN M 360 at Nuits d’Afrique – Fredy Massamba Was Blessed with Some Rain

Festival de Lanaudière 2024 | OSM/Levanon : game saved in the second half

Festival de Lanaudière 2024 | OSM/Levanon : game saved in the second half

PAN M 360 at Nuits d’Afrique 2024 | Sofaz Grooves!

PAN M 360 at Nuits d’Afrique 2024 | Sofaz Grooves!

PAN M 360 at Nuits d’Afrique 2024 | Birth of a Haitian star

PAN M 360 at Nuits d’Afrique 2024 | Birth of a Haitian star

PAN M 360 at Nuits d’Afrique 2024 | Joyce N’sana On The Rise

PAN M 360 at Nuits d’Afrique 2024 | Joyce N’sana On The Rise

PAN M 360 at Nuits d’Afrique 2024 | Listening to Club Sagacité

PAN M 360 at Nuits d’Afrique 2024 | Listening to Club Sagacité

Subscribe to our newsletter