Having already tried his hand at a few soundtracks before creating Léviathan, Berger applies his visual sense to this first album, and his taste for offbeat electro pop that owes as much to Air or Bashung as to Alan Vega. Over ten tracks, the Parisian multi-instrumentalist puts various palettes of colours on his canvas; from “Bleu sous-marin” to “Fête noire”, through the purple and green of all the lights of “Vendredi”, Berger proposes an anxiolytic journey between the immensity of the firmament and unfathomable abysses.
