This excellent quartet from Hull/Gatineau tosses seemingly disparate ingredients into its cauldron: French poetry, English poetry, hardcore corrosion, breakbeats, electro, free jazz, noise, guitar, synth-drums, machines, bass, saxophone, voice. The absurdity of our lives is expressed in this shaggy, explosive, derisory, cynical, caustic, curdling, critical, multi-referential, highly creative, brutal and refined language. Noisy chaos, free improvisation, punk attitude and rock-in-opposition miraculously coexist within a conceptual approach perfectly adapted to the digital age.
Latest 360 Content
Interview central asia/Musiques du Monde
Orientalys 2026 | Alex Iskandar: Ambassador of Central Asian Traditions in Montreal
By Frédéric Cardin
Concert review Pop/Indigenous peoples/Indigenous Soul Music
Présence Autochtone I Anyma Ora Captivates Place Des Festivals
By Michel Labrecque
Album review Classical/classique 2026
Alain Trudel; Orchestre symphonique de Trois-Rivières; Élisabeth Pion; Valérie Milot – Ravel
By Frédéric Cardin
Interview Hip Hop/Maori Traditional Music/rap
Présence Autochtone I Rei Speaks About His ‘Haka’ Rap
By Michel Labrecque
Concert review Pop/Electronic
OSHEAGA 2026 | Lorde Closes Osheaga Wired to Her Own Heartbeat
By Stephan Boissonneault
Concert review Hip Hop
OSHEAGA 2026 I Clipse Drip with Swag on the Mountain
By Stephan Boissonneault
Concert review Rock/Pop
OSHEAGA 2026 I Not For Radio Reincarnates on the Forest
By Stephan Boissonneault
Concert review Hip Hop
OSHEAGA 2026 I Little Simz is a Laid-back Class in Phenomenal Energy
By Marc-Antoine Bernier
Album review Électro/expérimental / contemporain 2026
Visible Cloaks – Paradessence
By Frédéric Cardin
Interview classique
Airborne strings in the Parks of Montreal with Andrei Feher and the Orchestre classique de Montréal
By Frédéric Cardin