This excellent quartet from Hull/Gatineau tosses seemingly disparate ingredients into its cauldron: French poetry, English poetry, hardcore corrosion, breakbeats, electro, free jazz, noise, guitar, synth-drums, machines, bass, saxophone, voice. The absurdity of our lives is expressed in this shaggy, explosive, derisory, cynical, caustic, curdling, critical, multi-referential, highly creative, brutal and refined language. Noisy chaos, free improvisation, punk attitude and rock-in-opposition miraculously coexist within a conceptual approach perfectly adapted to the digital age.
Latest 360 Content
Interview Caribbean/Piano
Mois du Créole 2026 | David Bontemps, entre piano et héritage de Dessalines
By Sandra Gasana
Interview Classical/classique
A resurrected and vocally spectacular Cinderella at Bourgie Hall
By Frédéric Cardin
Interview Caribbean
Mois du Créole 2026 | Pierre-Roland Bain: A Look Back and a Look Ahead
By Sandra Gasana
Interview Classical/classique
Azrieli Prize 2026 | Adrian Mocanu : ink that fades and the memory of women troubadours
By Frédéric Cardin
Interview Classical/classique
Azrieli Prize 2026 | Hana Ajiashvili : playing with an unsolved riddle
By Frédéric Cardin
Interview Classical/classique
Azrieli Prize 2026 | Dalit Hadass Warshaw: a final letter before dying
By Frédéric Cardin
Interview
Azrieli Prize 2026 | Nicholas Denton Protsack : searching for an authentic symbiosis
By Frédéric Cardin
Album review expérimental / contemporain/Classical/classique/Experimental / Contemporary 2026
Liberté Anne & Frotae – Volume 2
By Frédéric Cardin
Interview Jazz/expérimental / contemporain/Spoken Word
FLUX 2026 | Kim Zombik’s Origin Stories with Silvervest Quartet at Sala Rossa
By Alain Brunet
Concert review Classical/classique/Africa
Concert at the 9th Floor : the African essence of the chaconne
By Frédéric Cardin
Interview expérimental / contemporain