This excellent quartet from Hull/Gatineau tosses seemingly disparate ingredients into its cauldron: French poetry, English poetry, hardcore corrosion, breakbeats, electro, free jazz, noise, guitar, synth-drums, machines, bass, saxophone, voice. The absurdity of our lives is expressed in this shaggy, explosive, derisory, cynical, caustic, curdling, critical, multi-referential, highly creative, brutal and refined language. Noisy chaos, free improvisation, punk attitude and rock-in-opposition miraculously coexist within a conceptual approach perfectly adapted to the digital age.
Latest 360 Content
Interview Americana/Indian Classical/classique
Palais Montcalm | Harry Manx about “Falling Upwards”, contemplation, humility, wisdom
By Alain Brunet
Interview Classical/classique
Voces Boreales | Tempus Fugit, “to experience time differently”
By Alain Brunet
Concert review Classical/classique
Azrieli Prize: Next stop 2028, with Linda Bouchard, Luis Arias, and Matthew Rosenblum!
By Frédéric Cardin
Concert review classique/Musiques du Monde
FMA 2026 | MaqaMorphose presents Abdelwahab, Romantic Composer
By Frédéric Cardin
Concert review Jazz
Jazz@Vue | Impressive Léno duo and the elegance of Gentiane MG
By Frédéric Cardin
Album review Pop/Club/Electronic 2026
Sophia Stel – the greatest album of all time
By Stephan Boissonneault
Concert review expérimental / contemporain/Classical/classique
Le Vivier: Judith Fliedl’s Super Ultra Violin
By Frédéric Cardin
Interview classique/Musiques du Monde
Festival du Monde Arabe 2026 | MaqaMorphose, or the dream of an oriental chamber music
By Frédéric Cardin
Concert review Electronic/Classical/classique
Guillaume Côté bewitches the Grands Ballets and the Montreal audience
By Frédéric Cardin
Album review Rock/Pop 2026
They Are Gutting a Body of Water – KOOL FAITH / LOOSIES II
By Stephan Boissonneault
Interview classique/Moyen-Orient / Levant / Maghreb
FMA 2026 | Amin Reihani: Making Music a Language of Peace
By Sandra Gasana
Concert review Électro
My Fierce Ignorant Step at Danse Danse: the seduction of emptiness
By Frédéric Cardin
Interview Jazz
Can You Hear the Birds ? The art of the trio according to Gentiane MG
By Alain Brunet
Album review Electronic/Classical/classique/Musiques du Monde 2026
Kaoru Watanabe – The Arch
By Frédéric Cardin
Concert review Classical/classique
Molinari-Mondrian: an excellent meeting of eyes, ears, Quebec, and the Netherlands
By Frédéric Cardin
Interview expérimental / contemporain/Classical/classique
