Country : Cameroon / Canada (Quebec) Label : Genres and styles : African Jazz / Afro-Cuban / Afropop / Salsa Year : 2020

Kessaï

· by Ralph Boncy

The voice is reminiscent of Lokua Kanza and Richard Bona. In both cases, that’s a huge compliment to the Montreal singer Justin, aka Just Wôan. A stopover in Quebec from Douala, and this ambitious guy simply settles here. Now the father of little Sophia, he branched off from his solo career and set up this ultra-multi-ethnic octet, bringing together seven nationalities. Welcome to Montreal, baby! The goal of this crazy bet? Administering an authentic history lesson in a few dance steps, for an audience that will be eager to get moving this summer to finally break free post-confinement – if COVID-19 ever allows us to do so, and if the good Dr. Aruda gives us the green light. But let’s not dream – it’s unlikely, as we all know. The only option we have for now is to throw ourselves into this first Bantü Salsa album and listen to it with the windows open during the next heatwave, or while jogging alone with headphones – and mask, of course.

It’s been a few millennia since the Bantu people, with their hundreds of languages and dialects, expanded their borders east and south, leaving the sub-Saharan borders and forests to the pygmies and extending into West Africa, Central Africa, Angola and to the gates of South Africa. In terms of sound, the most brilliant thing in the music of this consortium with an intriguing and unusual name is the presence of Diely Mori Tounkara, the Malian magician with his luminous kora, whether it springs spontaneously at the beginning of a solo or is limited to spare but effective rhythmic support.

And what do these songs tell us? Apart from the love for his native land, his mother, his girlfriend and his daughter, the bassist and singer remarks in the title song that the frontier between work and slavery “is more porous than ever”. He also observes that it is a consequence of the slave trade – as early as the sixteenth century – that the children of Africa “are now all over the world” before proclaiming, without any embarrassment, “In every corner of this planet, I feel at home”.

We take him at his word!

Latest 360 Content

Suoni 2026 | Time travelling with Wendy Eisenberg 

Suoni 2026 | Time travelling with Wendy Eisenberg 

Suoni 2026 | Sunken Cages, “weird and interesting music” by Ravish Momin

Suoni 2026 | Sunken Cages, “weird and interesting music” by Ravish Momin

Suoni 2026 | Jardin botanique, bridge in the sky

Suoni 2026 | Jardin botanique, bridge in the sky

Francos 2026 | Deux albums de Pierre Lapointe magnifiés avec l’OM

Francos 2026 | Deux albums de Pierre Lapointe magnifiés avec l’OM

Suoni 2026 | Alex Motta, Mexican double bassist for all contemporary expressions

Suoni 2026 | Alex Motta, Mexican double bassist for all contemporary expressions

Atsuko Chiba – Atsuko Chiba

Atsuko Chiba – Atsuko Chiba

Suoni 2026 | Dancing on chaos with The Ex

Suoni 2026 | Dancing on chaos with The Ex

Suoni 2026 | Adrian Avendaño, all his paths for Trading Places

Suoni 2026 | Adrian Avendaño, all his paths for Trading Places

Violet Grohl – Be Sweet To Me

Violet Grohl – Be Sweet To Me

Kurt Vile – Philadelphia’s been good to me

Kurt Vile – Philadelphia’s been good to me

SUONI 2026 | Anju Singh, artist in residence from Vancouver to MTL

SUONI 2026 | Anju Singh, artist in residence from Vancouver to MTL

Cola – Cost Of Living Adjustment

Cola – Cost Of Living Adjustment

Francos 2026 I Grand Eugène, Small Dreampop Indie, Ready For Main Stage

Francos 2026 I Grand Eugène, Small Dreampop Indie, Ready For Main Stage

Francos 2026 I Zélie, jeune merveille à découvrir !

Francos 2026 I Zélie, jeune merveille à découvrir !

Suoni 2026 | Kiva Stimac explains her choices

Suoni 2026 | Kiva Stimac explains her choices

Francos 2026 | In the “Leloupsphere”… in the Dome and its aftermath

Francos 2026 | In the “Leloupsphere”… in the Dome and its aftermath

Francos 2026 | Malaka, blending soul, folk, and Caribbean influences

Francos 2026 | Malaka, blending soul, folk, and Caribbean influences

Sublime – Until The Sun Explodes

Sublime – Until The Sun Explodes

Montréal Baroque Fest 2026 | Between food, whisky, concerts, and discoveries: A lot of sensations just before summer

Montréal Baroque Fest 2026 | Between food, whisky, concerts, and discoveries: A lot of sensations just before summer

Classica 2026 – Too hot and humid for Schubert, and the instruments

Classica 2026 – Too hot and humid for Schubert, and the instruments

Classica 2026 | 1001 Guitar Stories with Tommy Dupuis

Classica 2026 | 1001 Guitar Stories with Tommy Dupuis

Jeunesses Musicales Canada 2026-2027: Mission, Music for Everyone

Jeunesses Musicales Canada 2026-2027: Mission, Music for Everyone

The Plastic Waste Band – Trash Island

The Plastic Waste Band – Trash Island

FMCM 2026 | John-Henry Crawford, a passionate young artist

FMCM 2026 | John-Henry Crawford, a passionate young artist

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers