“I’ve travelled through many lives to get here.” Istanbul, London, Buenos Aires, Montreal… Irem Bekter has a long migration behind her and, obviously, she hasn’t said her last word. Living in Quebec since 2003, she pursues a multidisciplinary approach and puts forward here her musical talents, which are juxtaposed with drama and contemporary dance. This experienced artist has the desire to adapt to each stopover of her migration, without denying the previous ones. Thus, in this album aptly named Je suis ici, this seasoned singer can very well paste a French text by David McNeil on a classic by Astor Piazzolla, the unavoidable “Oblivion”. French lyrics by J-F Lamothe, Raymond Lévesque, and Sylvain-Claude Filion, not to mention her own (sometimes bilingual, sometimes English), are the backdrop to this intimate album, at the confluence of chanson, modern jazz, gypsy swing, tango nuevo and Eastern Mediterranean music. Here she calls upon pianist David Ryshpan, guitarist Michael Cotnoir, oud player Nazih Borish, accordionist Luzio Altobelli, double bassist Mathieu Deschenaux, and percussionist Bertil Schulrabe, a significant concentration of Montreal’s interculturalism. The songs are beautifully interpreted in this mixed context, whose acoustic instrumentation and production are reminiscent of the chansonnier approaches typical of the ’60s and ’70s.
Latest 360 Content
Concert review Electronic/Experimental
SAT | Between Dreams: When Listening Becomes Sleeping
By Loic Minty
Concert review expérimental / contemporain/Experimental / Contemporary
Semaine du Neuf | When the collective becomes an entity
By Z Neto Vinheiras
Interview Classical/classique
Trio Garibaldi: The Album In Faded Sepia | Viola, Piano, and Clarinet in Service of New Creation
By Alain Brunet
Concert review expérimental / contemporain/Multidisciplinaire
(MTL X Monterrey) + (saxophones + dance) = The Breath of the Body
By Jeremy Fortin
Concert review expérimental / contemporain/Experimental / Contemporary
Semaine du Neuf | Nous perçons les oreilles: Surrendering Body and Mind to the Music
By Alexandre Villemaire
Interview expérimental / contemporain
5ilience | Devinim, When Sounds Move Through The Reeds
By Jeremy Fortin
Interview Africa/Caribbean
Caribbean Love: Richy Jay, Between Heritage and Tropical Rhythms
By Sandra Gasana
Concert review musique de film
The magic of Miyazaki comes to life with the FILMharmonic Orchestra
By Frédéric Cardin
Interview Classical/classique
Caprice au 9e | Telemann and The Traveling Musicians of the Baroque Era
By Alain Brunet
Column
Airat Ichmouratov will compose Alice in Wonderland for Montreal’s Grands Ballets canadiens
By Frédéric Cardin
Concert review expérimental / contemporain/Multidisciplinaire
Semaine du Neuf | Lovemusic: A Clash of Bodies and Sounds
By Jeremy Fortin
Album review Electronic/Pop/Classical/classique/Jazz 2026
The Setting – The Setting
By Stephan Boissonneault
Concert review Pop/musique de film/pop symphonique
Symphonic Tribute to Daft Punk: Effective Fusion, Mostly
By Frédéric Cardin
Interview Blues/Americana/classic rock/Rock/southern rock/southern soul
The Sheepdogs, or How to Become a Classic “Outside the Storm”
By Alain Brunet
Interview Classical/classique/Experimental / Contemporary/expérimental / contemporain























