Franco-Caribbean artist Adeline may have released her first EP, but she’s no newcomer. Her funk bass lays out the rhythms of warm soul-jazz tracks, and underlines a voice that masters the old-school codes of the genre. Already seen in concert alongside Anderson Paak and Cee Lo Green, she takes the limelight with this EP, which gets us on board from the first beats, followed by a bewitching “you make me wanna stay up all night”, something we would do gladly. The power and elegance of her voice makes you long to see her live, backed by choirs undulating from right to left, while snapping your fingers in the middle of the spotlit fog. The EP is really effective, as much through the quality of its production and the lady’s taste for rhymes, as for her danceable, unifying aspect. It places the listener between the frenzy of the beginning of the evening and the intoxicating atmosphere of the night, especially after midnight, while borrowing from French freshness and the New York dynamic in which the musician lives. It ends with a nice funk ballad covering the track “Just Another Day”, which becomes “Si c’est pour jamais”, honouring the French language and the sexy side of her alliterations. As a black woman of immigrant background, the artist is a militant musician, all the more committed to conveying a positive message. And if that message is a mix of nu-disco and soul, she might as well not go to bed, and trumpet it all day and night.
Latest 360 Content
Concert review latino
Nuits d’Afrique 2026 | Somos Más: A Celebration of Memory, Community, and Resistance
By Juliana Cortes
Album review Electronic/expérimental / contemporain/Rock 2026
Xiu Xiu – Eraserhead
By Stephan Boissonneault
Concert review Brazilian/Indigenous peoples
Nuits d’Afrique 2026 | Suraras dos Tapajós: Connecting Us to the Amazon Forest Through Music
By Juliana Cortes
Album review expérimental / contemporain/musique de film 2026
Réka Csiszér & Radwan Ghazi Moumneh – Le Révélateur
By Frédéric Cardin
Album review Experimental / Contemporary/expérimental / contemporain 2026
Chanel Beads – Your Day Will Come
By Stephan Boissonneault
Concert review classique/Classical
Lanaudière 2026 | Explosion of colours and emotions thanks to Payare, Weilerstein, Ortiz, and Shostakovich
By Frédéric Cardin
Concert review Caribbean/Jazz/Reggae
Nuits d’Afrique 2026 | Chris Combette: the groovy elegance of the Guyanese troubadour
By Frédéric Cardin
Concert review Africa/Jazz/cirque
Nuits d’Afrique 2026 I African Circus Courtesy of Kalabanté Hits Different
By Stephan Boissonneault
Interview latino/Western European/Jazz
Nuits d’Afrique 2026 | Azara, the voice of flamenco takes root in Montreal
By Frédéric Cardin
Concert review Africa/Americana/Indian Ocean
Nuits d’Afrique 2026 | The Two Enriches its Creole blues
By Sandra Gasana
Concert review
PRIMAVERA SOUND – PORTO 2026 : The Big Little Festival on a Human Scale
By Patrick Baillargeon
Interview Africa/Mandingo Blues
Nuits d’Afrique 2026 | The virtuoso balafon of Seydou Diabaté, at the heart of the Kanazoé Orkestra
By Frédéric Cardin
Concert review Africa/Mandingo Blues
Nuits d’Afrique 2026 | MTELUS Falls to Grand Lamine Touré
By Sandra Gasana
Interview Amérique latine
Nuits d’Afrique 2026 | Somos Más, A Feminine and Plural Harmonies
By Juliana Cortes
Concert review Africa/DJ set
Nuits d’Afrique 2026 | Soul of Zoo confirms his “connections” on stage
By Sandra Gasana
Interview Africa























